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The Notorious B.I.G. - Tha cypher

 
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{Biggie smalls}
(Verse1)
Money, hoes, and clothes
Blunt smoke coming out the nose, is all a nigga knows
Flipping on foes, putting tags on toes
Watching the stash grow, clocking the cashflow
The neighborhood gravedigger
Getting paid so much, all the bitches want to see a nigga
I guess they figure I'm paid, I want to get laid
Or since I got loot, I want to knock boots
I'd rather beat my dick than trick
And if she don't suck, then we don't fuck
I'd rather make a buck, drive a fat-ass truck
Grab the 9, two clips, and run amuck
Yes, flex at the two or three Benzes
I wreck shit, what the fuck you expected?
A fly guy? Well fuck it, I'm the high guy
From Bed-Stuy, putting the swelling on your eye
And your nose even; when I choke ya, you stop breathing
And when Jake come, I'm leaving

{Biggie smalls}
(Verse2)
When we smoke spliffs, we pack four-fifths
Just in case Dread want to riff
He get a free lift to the cemetary, rough very
Not your ordinary: we watch you get buried
That's a real nigga for ya
Get mad, do a quarter, flip the script, and rip your lawyer
Spit at the DA, cause fuck what she say
She don't give a fuck about your ass anyway
Back up chump, you know Biggie Smalls rips it quick
And kicks it quick; you know how black niggas get
With the hoods, fatigues with the boots with trees
Smokin weed, flippin ki's, making crazy G's
Hitting buckshots at niggas that open spots
On the avenue--take my loot, and I'm bagging you
Pimping hoes that drive Volvos and Rodeos
Flash the roll, make her wet in her pantyhose
Damn, a nigga's style is unorthodox
Grip the Glock, when I walk down the crowded blocks
Just in case a nigga want to act out
I just black out, and blow they motherfucking back out
That's a real nigga for ya

{2pac}
(Verse3)
Im stuck in jail the DA's tryin' to burn me
I'd be out on bail, If I had a good attorney
Wanna label me a criminal and cuff me up
Got a pocket full of money so they rough me up
I ain't trippin' in the county and im mad as fuck
Got a record so they put me with the baddest bunch
Everybody wanna talk cause im rappin'
They asking me what happend
Is it true you did a flick with Janet Jackson?
I can't sleep they taking polaroids
And im tryna' use the phone but they making noise
Man I wish I had my Glock cause its major
Im making shanks out the plastics in razors
These motherfuckers won't, leave me alone thats my word
'Bout to turn a violation to a motherfucking murder
Im making collect calls to my old bitches
Send mo' pictures, and make me some mo' riches
To all the suckers on the block, talking shit while I was locked up
Be prepared to be socked up
Cause the game is deep, and the fame is brief
And you bullshitting bitches ain't changing me
I came straight up out of gutta' I was saved from hell
Im a thug I was raised in jail, now im out on bail

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The Notorious B.I.G.

The Notorious B.I.G.

The meaning of the song

Biography

Considered by many to be one of the greatest rappers of all time, The Notorious B.I.G. was a major figure in both hardcore hip-hop and 90’s pop music until his murder in 1997 at age 24. He’s best known for his #1 hits “Hypnotize” and “Mo’ Money, Mo’ Problems,” his top 10 hits “One More Chance (Stay with Me Remix)” and “Big Poppa,” and his iconic early single “Juicy.”

In addition to his crossover hits, Biggie is known for innovative multi-syllabic lyricism and creative storytelling techniques, heard on critical favorites like “Warning,” “Suicidal Thoughts,” “Ten Crack Commandments,” “I Got A Story To Tell,” and “Gimme The Loot.”

As a teenager, Brooklyn native Christopher Wallace started rapping as Biggie Smalls, the name of a mobster character in the 1975 action comedy Let’s Do It Again. He recorded a demo with local Bed-Stuy DJ 50 Grand, which caught the attention of Mister Cee, who was well-known as Big Daddy Kane’s DJ. Cee introduced his demo to the industry, landing him a spot in The Source’s coveted “Unsigned Hype” column in the magazine’s March 1992 issue. Sean “Puffy” Combs, a successful A&R, also heard the demo and signed Big to Uptown Records.

Biggie’s first commercially released recording was an uncredited verse on Puffy’s remix of Jamaican dancehall star Super Cat’s 1992 track “Dolly My Baby.” He followed it up with appearances on tracks by Uptown artists like Heavy D & The Boyz and Mary J. Blige. His first solo single, 1993’s “Party & Bullshit,” appeared on Uptown’s soundtrack for the comedy Who’s The Man. The song was released under the name “Big”—a Los Angeles rapper named “Biggy Smallz” was already signed to MCA Records, preventing Biggie from using his original name.

In mid-1993, Puffy left Uptown and brought Biggie with him as a founding artist of his new label Bad Boy Records. He changed his official name to “The Notorious B.I.G.” as he began to prepare his debut album. His appearance on labelmate Craig Mack’s 1994 hit “Flavor In Ya Ear (Remix)” established him as one of hip-hop’s hottest rising stars. During this period, he married singer Faith Evans, another aspiring Bad Boy star. His 1994 debut single “Juicy” and album Ready To Die, released in the fall of 1994, received critical acclaim.

In early 1995, Biggie’s second Ready To Die single “Big Poppa” became a major success, garnering heavy rotation on MTV and hitting #9 on Billboard’s Hot 100. His next single, a remix of “One More Chance,” went to #2. The Source dubbed him “The King of New York.”

Over the next three years, Biggie played a central role in making Bad Boy Records a dominant force in hip-hop and R&B music, appearing on hits with Total, 112, Ma$e, The Lox, and Puff Daddy. Big also developed his own group of friends from his neighborhood, Junior M.A.F.I.A., who released two top 20 hits and a gold-selling album in 1995. The group spawned hitmaker Lil’ Kim.

In 1996, former friend and collaborator 2Pac released “Hit Em Up,” a scathing diss track about Biggie. ’Pac believed Big and Bad Boy were responsible for his 1994 robbery and shooting in NYC, a theory aided by Biggie’s suspiciously titled track “Who Shot Ya?” Big never explicitly responded, although many fans believe his late work is filled with subliminals about ’Pac, who was killed in September 1996. His murder remains unsolved.

Biggie spent most of 1996 recording his second album and recovering from a car accident that seriously injured his leg. Biggie filmed a video for the album’s first single, “Hypnotize,” in Los Angeles in February 1997. A month later, after attending a music industry party in L.A., Biggie was gunned down in a car with three longtime friends while stopped at a red light. He was rushed to Cedars-Sinai Hospital, where he was pronounced dead 30 minutes later. His murder remains unsolved.

A week after his death, “Hypnotize” became Biggie’s first #1 pop hit, and his double album Life After Death was released to widespread acclaim and platinum sales. The album’s second single, “Mo’ Money, Mo’ Problems” also went #1. In the year 2000, Life After Death was certified diamond by the R.I.A.A. for selling 10 million copies. The massive critical and commercial success of Life After Death solidified Biggie’s legacy as an icon.

Puff Daddy, who released his debut album No Way Out in the summer of 1997, hit #1 on the pop charts with his Biggie tribute “I’ll Be Missing You.” Bad Boy continued to have waves of success for over 20 years, during which time they released several posthumous Biggie albums, including 1999’s Born Again, 2005’s Duets: The Final Chapter, and 2017’s The King & I (with Faith Evans). In 2009, Fox released a biopic, Notorious, directed by George Tillerson, Jr, and produced by Puff Daddy and Big’s former managers.

Biggie has remained a fixture in pop culture and an influence on generations of rappers and songwriters.

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