Ryan Wright - Screw U

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I carved your name into my skin
Yeah
Hypothesized what could have been
Yeah
Now it's just a scar
That reminds me of you
When I forget
What your heartbeat can't do
Come back
And let me go again

Screw you
And everything that you do
I know you
Don't really hate me
Don't really hate me
You move like you got
Something to prove
And I know
You're faking
It's so entertaining
I don't give a damn
You're out of my hands

I let you bend the shape I'm in
Yeah
Like some imaginary friend
Yеah
Telling me lies
Without talking at all
Pushing mе into
Another free fall
Kill this thing off
Before it ends

Screw you
And everything that you do
I know you
Don't really hate me
Don't really hate me
You move like you got
Something to prove
And I know
You're faking
It's so entertaining
I don't give a damn
You're out of my hands

You love me
You cut me
I must be
Something you can't shake
I love you
But I'll cut you
Even if it breaks me

Screw you
And everything that you do
I know you
Don't really hate me
Don't really hate me
You move like you got
Something to prove
And I know
You're faking
It's so entertaining
I don't give a damn
You're out of my hands

I don't give a damn
I don't give a damn
You're out of my hands

I don't give a damn
I don't give a damn
You're out of my hands

I don't give a damn
I don't give a damn
You're out of my hands

Release Date: July 19, 2019

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Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”