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The Notorious B.I.G. - Nobody

 
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{Verse 1: The Notorious B.I.G.}
Niggas in my faction don't like askin' questions
Strictly gun-testin', coke-measurin'
Givin' pleasure in the Benz-ito
Hittin' fanny, spendin' chips at Manny's
Hope you creeps got receipts, my peeps get dirty like cleats
Run up in your crib, wrap you in your Polo sheets
Six up in your wig-piece, nigga decease
Muah, may you rest in peace
With my Sycamore style, more sicker than yours
Four-four and fifty-four draw
As my pilot, steers my Lear; yes, my dear
Shit's official, only the Feds I fear
Here's a tissue, stop your bloodclaat cryin'
The kids, the dog, everybody dyin', no lyin'
So don't you get suspicious
I'm Big Dangerous, you're just a Lil Vicious
As I leave my competition, respirator style
Climb the ladder to success escalator style
Hold y'all breath, I told y'all
Death controls y'all, Big don't fold y'all, uhh
I spit phrases that'll thrill you
You're nobody 'til somebody kills you

{Chorus: Korn}
You ain't nobody, get smashed by the drop top
'Cause you got the wrong colors on the wrong block
Nobody, see, you can run but you can't hide
'Cause the rebel boy won't be denied
You ain't nobody, here today, gone tomorrow
Lights out, I don't care who you are
You ain't nobody, nobody, nobody, nobody
Nobody, no, you're just a memory

{Verse 2: Korn}
6 in the morning, feds at my door
Probably 'cause of how the worker goin' to war
Bet the landlord slipping, I lose my mind
It's got to be more, then drop the dime
Bitch, please, 6 G's, every month, cold cash
You done fucked around and got a nigga flipping in the stash
If I'ma catch a case, you gon' have to catch me fast
But how you gon' do that floatin' in the blood bath?
Hold on, I hear the helicopters comin'
See, it's a hundred cops, they runnin'
They got the dogs and the warrant for my arrest
But they just don't know that I'm a hard pimp to catch
I wipe my finger prints off of the safe, hell
I strike a match and burn this whole fucking place down

{Chorus: Korn}
You ain't nobody, get smashed by the drop top
'Cause you got the wrong colors on the wrong block
Nobody, see, you can run but you can't hide
'Cause the rebel boy won't be denied
You ain't nobody, here today, gone tomorrow
Lights out, I don't care who you are
You ain't nobody, nobody, nobody, nobody
Nobody, no, you're just a memory

{Verse 3: The Notorious B.I.G.}
You can be the shit, flash the fattest five (that's right)
Have the biggest dick, but when your shell get hit (Ha)
You ain't worth spit, just a memory
Remember he used to push the champagne Range (I 'member that)
Silly cat, wore suede in the rain
Swear he put the G in game, had the Gucci frame
Before Dana Dane, thought he ran with Kane
I can't recall his name (What was his name?), you mean that kid
That nearly lost half his brain over two bricks of cocaine?
Gettin' his dick sucked by Crackhead Lorraine?
A fuckin' shame, duke's a lame, what's his name?
Dark-skin Jermaine, see what I mean?

{Chorus: Korn}
You ain't nobody, get smashed by the drop top
'Cause you got the wrong colors on the wrong block
Nobody, see, you can run but you can't hide
'Cause the rebel boy won't be denied
You ain't nobody, here today, gone tomorrow
Lights out, I don't care who you are
You ain't nobody, nobody, nobody, nobody
Nobody, no, you're just a memory

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The Notorious B.I.G.

The Notorious B.I.G.

The meaning of the song

Biography

Considered by many to be one of the greatest rappers of all time, The Notorious B.I.G. was a major figure in both hardcore hip-hop and 90’s pop music until his murder in 1997 at age 24. He’s best known for his #1 hits “Hypnotize” and “Mo’ Money, Mo’ Problems,” his top 10 hits “One More Chance (Stay with Me Remix)” and “Big Poppa,” and his iconic early single “Juicy.”

In addition to his crossover hits, Biggie is known for innovative multi-syllabic lyricism and creative storytelling techniques, heard on critical favorites like “Warning,” “Suicidal Thoughts,” “Ten Crack Commandments,” “I Got A Story To Tell,” and “Gimme The Loot.”

As a teenager, Brooklyn native Christopher Wallace started rapping as Biggie Smalls, the name of a mobster character in the 1975 action comedy Let’s Do It Again. He recorded a demo with local Bed-Stuy DJ 50 Grand, which caught the attention of Mister Cee, who was well-known as Big Daddy Kane’s DJ. Cee introduced his demo to the industry, landing him a spot in The Source’s coveted “Unsigned Hype” column in the magazine’s March 1992 issue. Sean “Puffy” Combs, a successful A&R, also heard the demo and signed Big to Uptown Records.

Biggie’s first commercially released recording was an uncredited verse on Puffy’s remix of Jamaican dancehall star Super Cat’s 1992 track “Dolly My Baby.” He followed it up with appearances on tracks by Uptown artists like Heavy D & The Boyz and Mary J. Blige. His first solo single, 1993’s “Party & Bullshit,” appeared on Uptown’s soundtrack for the comedy Who’s The Man. The song was released under the name “Big”—a Los Angeles rapper named “Biggy Smallz” was already signed to MCA Records, preventing Biggie from using his original name.

In mid-1993, Puffy left Uptown and brought Biggie with him as a founding artist of his new label Bad Boy Records. He changed his official name to “The Notorious B.I.G.” as he began to prepare his debut album. His appearance on labelmate Craig Mack’s 1994 hit “Flavor In Ya Ear (Remix)” established him as one of hip-hop’s hottest rising stars. During this period, he married singer Faith Evans, another aspiring Bad Boy star. His 1994 debut single “Juicy” and album Ready To Die, released in the fall of 1994, received critical acclaim.

In early 1995, Biggie’s second Ready To Die single “Big Poppa” became a major success, garnering heavy rotation on MTV and hitting #9 on Billboard’s Hot 100. His next single, a remix of “One More Chance,” went to #2. The Source dubbed him “The King of New York.”

Over the next three years, Biggie played a central role in making Bad Boy Records a dominant force in hip-hop and R&B music, appearing on hits with Total, 112, Ma$e, The Lox, and Puff Daddy. Big also developed his own group of friends from his neighborhood, Junior M.A.F.I.A., who released two top 20 hits and a gold-selling album in 1995. The group spawned hitmaker Lil’ Kim.

In 1996, former friend and collaborator 2Pac released “Hit Em Up,” a scathing diss track about Biggie. ’Pac believed Big and Bad Boy were responsible for his 1994 robbery and shooting in NYC, a theory aided by Biggie’s suspiciously titled track “Who Shot Ya?” Big never explicitly responded, although many fans believe his late work is filled with subliminals about ’Pac, who was killed in September 1996. His murder remains unsolved.

Biggie spent most of 1996 recording his second album and recovering from a car accident that seriously injured his leg. Biggie filmed a video for the album’s first single, “Hypnotize,” in Los Angeles in February 1997. A month later, after attending a music industry party in L.A., Biggie was gunned down in a car with three longtime friends while stopped at a red light. He was rushed to Cedars-Sinai Hospital, where he was pronounced dead 30 minutes later. His murder remains unsolved.

A week after his death, “Hypnotize” became Biggie’s first #1 pop hit, and his double album Life After Death was released to widespread acclaim and platinum sales. The album’s second single, “Mo’ Money, Mo’ Problems” also went #1. In the year 2000, Life After Death was certified diamond by the R.I.A.A. for selling 10 million copies. The massive critical and commercial success of Life After Death solidified Biggie’s legacy as an icon.

Puff Daddy, who released his debut album No Way Out in the summer of 1997, hit #1 on the pop charts with his Biggie tribute “I’ll Be Missing You.” Bad Boy continued to have waves of success for over 20 years, during which time they released several posthumous Biggie albums, including 1999’s Born Again, 2005’s Duets: The Final Chapter, and 2017’s The King & I (with Faith Evans). In 2009, Fox released a biopic, Notorious, directed by George Tillerson, Jr, and produced by Puff Daddy and Big’s former managers.

Biggie has remained a fixture in pop culture and an influence on generations of rappers and songwriters.

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