Munimuni - Paraiso

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{Verse 1}
Alipin ng kayamanan
Imulat ang mata
Mas masahol sa kulungan
Ang paraiso imahinaryo

{Verse 2}
Alipin ng kaalaman
Anong natuklasan
Sino ang makikinabang
O paraiso para kanino

{Interlude}
Ha-woo-ooh
Hoo-waa-ooh-ohh

{Verse 3}
Pinuno ng kasakiman
May hangganan ba
Bayan mong balwalhati
Ikaw ang nag-iisang malaya

{Verse 4}
Pinuno ng kamalayan
Anong humahadlang
Kaming walang kabatiran
Walang isang kayang palayain

{Interlude}
Ha-woo-ooh
Hoo-waa-ooh-ohh
Ha-woo-ooh
Hoo-waa-ooh-ohh

{Outro}
Wala ni isang kaya palayain
Wala ni isang kaya palayain
Wala ni isang kaya palayain
Wala ni isang kaya palayain
Wala ni isang kaya palayain

Release Date: May 08, 2024

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Biography

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As a band that was described by Jedd Ong as “The Oh Hellos mixed with a touch of The Strokes, lyrics reminiscent of Huseng Batute and the book of Psalms,” Munimuni is a Filipino folk rock band whose sound is as iconic and genre-redefining as the term they coined: makata-pop (or poetry-pop, in English).

The history of this band of poets lies in all its original members, AJ Jiao, Red Calayan and “Moses”, coming from the University of the Philippines, where they started out as The AJ Project. Shortly after “Moses” left the band, their five-man lineup started forming with the addition of John Owen Castro and Jolo Ferrer.

Their penchant for folk-rock compositions comes from a wide array of sources: OPM artists such as Rivermaya and Sugarfree, personal experiences and thoughts, and even Japanese culture with bands like Indigo La End. Their co-songwriter, Adj Jiao, even draws his inspiration from books in the Bible such as Psalms and Job when it comes to writing their songs, which is in Filipino and one that closely mirrors poetic structures, something he doesn’t see often in the local Philippine indie scene.