aiko - ばいばーーい

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ねえ　合鍵も返さないで何してるの？
いつもみたいに電話してきてメールしてきて
傷つかないように気でも遣ってくれてたの

だったらお願い今すぐ全部返せよ
あなたの世界はあなたの世界で
あたしのベッドもあたしのベッドだ
両方上手に神様にバレない様に頼んでたの？

戻れないのって小さな声は電話を通し壊れそうで
戻れないよって答えたあたしが泣いてた
あの時はあなたの痛み感じ巻き戻せない時間を恨んだ
でも今はなんにも感じない
優しいフリしてあなたは彼女と手を繋いだ

ばいばーーい　ばいばーーい
ばいばーーい　ばいばーーい　ばいばーーい

気持ちに振り回されて失った
あたしのひとつの出口
道は分かれて離れてく事もある
人それぞれだからこそ上手に抱き合っていたかったかな

虚しい気持ちはいつか死ぬ恨みは人を変えてしまう
楽しいことでコンクリートの切れ間には花が
なんでもない日は特別だって思える様にあたしはもう
あなたと反対の道を歩きたい

{Instrumental Bridge}

こんなに悲しく苦しい気持ち書き留めずにいられなかった
あたしはこれから色々捨てます
大切な思い出も最初のキスも

ばいばーーい　ばいばーーい　ばいばーーい

知らない同士にいつかなる　突然あたしの好きな味も変わる
ある日来る他人になる感じ
さようならなんて優しい言葉だ
･･･あ、最後に言ったのなんだっけな
それも忘れた

ねえ時間が過ぎるって凄いことなの
この歌を作り終えた頃あたしは少し前を向いてる

Release Date: March 03, 2021

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Biography

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Aiko’s cheerful love songs made her one of the prime forces of J-pop of the early and mid-2000s, when she wooed teenage fans all over East Asia and topped the Oricon favorite singer poll twice in a row in 2005 and 2006. Born in 1975, she graduated from Osaka College of Music and began DJing at a local FM station, working on her own material in her spare time. She debuted in 1997 with the EP Astral Box. Although her first charting single, “Ashita,” out in 1998, entered the Oricon ratings at a modest number 89, its follow-up, “Hanabi” (1999), boosted by TV coverage, grabbed the coattails of the Top Ten. Her first studio album, Chiisana Marui Kojitsu, failed to replicate its performance – it only rose to number 30 – but this was remedied by her second full-length, Sakura No Ki No Shita (2000), which scored number one, selling more than one million units and staying in the charts for 46 weeks. The single “Boyfriend” (2000) charted at number two and sold 500,000-plus copies. Another huge achievement was Aiko’s appearance on the popular New Year’s TV show Kohaku Uta Gassen in 2000; she participated in it five times in total, even despite her first performance causing a legal debate due to the supposed presence of the copyright-protected word “tetrapod” in the lyrics.

Aiko’s bright prospects for 2001 were dampened by her contracting tracheitis, but she still went on recording, realizing that the time was right: two of her singles of that year entered the Top Five, and the album Natsufuku stuck at number one for 18 weeks, selling a little under one million units. Its two follow-ups, Aki, Soba Ni Iru Yo (2002) and Akatsuki No Love Letter (2003), sold another 1,000,000 copies together. Taking a break in 2004, Aiko returned to the studio in 2005, releasing the well-performing album Yume No Naka No Massugu Na Michi, as well as the interview-styled autobiography Aiko Bon. Her seventh album, Kanojo (2006), topped the charts again, and the supporting tour included a gig at the Chigasaki beach in front of 25,000 people. Another tour followed in 2007 and included a special fan club-only show in commemoration of the tenth anniversary of Aiko’s professional career. Her eighth studio album, Himitsu, however, saw a relative decline in sales, shifting only 290,000 units.