All Joelle James Lyrics (en) Total 12
Joelle James - Been That GirlYeah yeah (og parker) Iiii i been that girl Don’t know what you were seein It ain’t my fault These other girlies try me I ain’t involved Watch me go thru it all Cuz
Joelle James - Tell Me{Intro} Ooh-ooh-ooh You should tell me right now You should tell me You should tell me right now You should, you should You should tell me (Ooh-ooh) Mm
Joelle James - Going Gets RoughAlways up to something Ain't no tellin which one of you i gotta deal with Fighting over nothing And i'm just as tired as you of the bullshit Push turns to shovin So
Joelle James - Where I WantedI ain't been the one who's fighting I'm always the one to go hard For you baby I ain't been the one who's silent I'm always the one who's crying
Joelle James - DownShow up at my apartment Cuz you always trying to start shit So why you want on this now Everytime you know you been selfish Ya can't help it Try not to let you in If
Joelle James - MisunderstandingHere we are in this room How could I lie to you again Here we are in this room How could I lie to you again Why do we do it babe? In your eyes I swear you
Joelle James - ChemistryBoy you know we got that chemistry Ya you know that's why you wanted me All I needed was time Then I let you get inside of me That's why you speed it up when you want to
Joelle James - Dare You to Love MeI can see you're terrified Of everything you feel inside You can run but you can't hide, no It'll catch up to you every time Yea they screwed you every time
Joelle James - Twilight ZoneRidin round in your city baby Got dressed up and look pretty baby Eyes on the road, don't be crazy Hard to do with all this history Stuck in your twilight zone Now
Joelle James - Bleeding MachinesBreaking like the morning I've been shining like the sunrise Beautiful as dawn is Piercing through the darkness I'm a light regardless oh Who can save a godless
Joelle James - Rookie of the Year{Intro: Joelle James} Yeah yeah, yeah yeah Yeah yeah (Mustard on the beat, hoe) {Verse 1: Joelle James} Don't let it all go to your head, boy
Joelle James - Fading Away{Verse 1: Joelle James} Today was the day that you showed me you're stuck in your ways, you ain't changing Instead the fussing and fighting, you should've been kissing
Joelle James
With an unabashed, self-aware demeanor, and an inherent style unintentionally right on the pulse of pop culture, the story of Singer, Songwriter, and Producer JOELLE JAMES is both distinctly layered and relatable — starting off safe and calculated, before becoming advantageously volatile, and ultimately overruled by fervor and integrity.
From a young age, Joelle always felt captivated by a cultural force stronger than any surrounding environment. She began her story the textbook route – small town, loving family, attending a top music school. At 11, she recalls singing at Showtime at the Apollo. “I was the only white girl backstage, at my first ever competition. I had on my leather skirt, about to sing a song by my favorite singer, Aretha Franklin, and I just remember hoping that this crowd of all black women would stand on their feet for me.”
While at Berklee College of Music, where she graduated with a degree in Music Studies and Voice, Joelle began digitally unearthing her content to mass global audiences on YouTube, and a dynamic fanbase suddenly surrounded her talent. In her senior year, Joelle James was streamed by a very special listener – global pop culture superstar Chris Brown. Impressed by not only her talent, but her tenacity, and what she stood for, Chris immediately signed her to his recording imprint, CBE (Culture Beyond Experience), and thereafter, CBE entered into a major distribution deal with Interscope Records.
What should have been a dream quickly dissolved into internal chaos for Joelle. A&Rs did not know quite what to do with her rare, multifaceted culture. Their energy bled into her soul, and she began feeling misdirected and uncertain. To add insult to injury, she then could only watch as executives who once welcomed her with open arms to the label departed for the tech world, and tumultuous times for Chris Brown led to radio hits demanding “Free Breezy”.
In a waiting game, overcome with simultaneous hope and pressure, Joelle admittedly grew resentful of the constant questions of why she wasn’t famous yet, and an “If not me, then WHO?” mentality brewed inside of her. She started pumping out a repertoire all her own. But as she stumbled on a voice deeper than her vocals – her pen – her unique purpose was suddenly revealed to her on a deeper level: “I realized the goal wasn’t fame, but authenticity, telling a real story, baring my soul for art’s sake.” Out of this, a music publishing deal with Roc Nation soon materialized, and Joelle found herself back in the big leagues.
Peter Drucker once said, “Culture eats strategy for breakfast.” It was true that her Berklee textbooks couldn’t have prepared and guided her for such moments and revelations (in fact, "Don’t sing for sound” was the best piece of musical advice Joelle says she has ever received). Similarly, her wholesome small-town upbringing didn’t determine how worldly she would go on to become, as she began to experience life, and crusade with other culture creators.
In 2016, Chris Brown reunited with Joelle James for a historic duet, interpolating the legendary New Edition’s “Can You Stand the Rain?”, entitled “SCREAM”, which earned placement on internationally celebrated comedic rockstar Kevin Hart’s What Now? Mixtape (Motown Records/Artist Live). “I couldn’t pick a better song to break my artistry and myself… and my hope is that it will be heard and appreciated for what it is… a classic R&B interpolation from a staple Boston group who paved the way for many, featuring the amazingly talented Chris Brown and this unknown white girl, just singing her heart out.”
In 2017, fresh off millions of streams from the natively soulful “SCREAM”, plus a written repetoire for the likes of Tamar Braxton, Justine Skye, and Ella Mai, Joelle James released her iSCREAM playlist to Soundcloud on October 27, adding new songs weekly.
From a young age, Joelle always felt captivated by a cultural force stronger than any surrounding environment. She began her story the textbook route – small town, loving family, attending a top music school. At 11, she recalls singing at Showtime at the Apollo. “I was the only white girl backstage, at my first ever competition. I had on my leather skirt, about to sing a song by my favorite singer, Aretha Franklin, and I just remember hoping that this crowd of all black women would stand on their feet for me.”
While at Berklee College of Music, where she graduated with a degree in Music Studies and Voice, Joelle began digitally unearthing her content to mass global audiences on YouTube, and a dynamic fanbase suddenly surrounded her talent. In her senior year, Joelle James was streamed by a very special listener – global pop culture superstar Chris Brown. Impressed by not only her talent, but her tenacity, and what she stood for, Chris immediately signed her to his recording imprint, CBE (Culture Beyond Experience), and thereafter, CBE entered into a major distribution deal with Interscope Records.
What should have been a dream quickly dissolved into internal chaos for Joelle. A&Rs did not know quite what to do with her rare, multifaceted culture. Their energy bled into her soul, and she began feeling misdirected and uncertain. To add insult to injury, she then could only watch as executives who once welcomed her with open arms to the label departed for the tech world, and tumultuous times for Chris Brown led to radio hits demanding “Free Breezy”.
In a waiting game, overcome with simultaneous hope and pressure, Joelle admittedly grew resentful of the constant questions of why she wasn’t famous yet, and an “If not me, then WHO?” mentality brewed inside of her. She started pumping out a repertoire all her own. But as she stumbled on a voice deeper than her vocals – her pen – her unique purpose was suddenly revealed to her on a deeper level: “I realized the goal wasn’t fame, but authenticity, telling a real story, baring my soul for art’s sake.” Out of this, a music publishing deal with Roc Nation soon materialized, and Joelle found herself back in the big leagues.
Peter Drucker once said, “Culture eats strategy for breakfast.” It was true that her Berklee textbooks couldn’t have prepared and guided her for such moments and revelations (in fact, "Don’t sing for sound” was the best piece of musical advice Joelle says she has ever received). Similarly, her wholesome small-town upbringing didn’t determine how worldly she would go on to become, as she began to experience life, and crusade with other culture creators.
In 2016, Chris Brown reunited with Joelle James for a historic duet, interpolating the legendary New Edition’s “Can You Stand the Rain?”, entitled “SCREAM”, which earned placement on internationally celebrated comedic rockstar Kevin Hart’s What Now? Mixtape (Motown Records/Artist Live). “I couldn’t pick a better song to break my artistry and myself… and my hope is that it will be heard and appreciated for what it is… a classic R&B interpolation from a staple Boston group who paved the way for many, featuring the amazingly talented Chris Brown and this unknown white girl, just singing her heart out.”
In 2017, fresh off millions of streams from the natively soulful “SCREAM”, plus a written repetoire for the likes of Tamar Braxton, Justine Skye, and Ella Mai, Joelle James released her iSCREAM playlist to Soundcloud on October 27, adding new songs weekly.