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Roseaux - More Than Material

 
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I don't mind if you treat yourself
For a day or only shop for you
And I don't mind if you buy clothes
That I think may not be right for you
Who you are is not what you wear
And what you think has nothing to do with hair
I love you for what your heart shows
That's why I just can't let it go

I ain't worry about your clothes
Cause the clothes don't make the woman
I ain't worry about your hair
Cause the hair can't give me lovin'
Only you
I ain't trippin' on your shoes
'Cause they don't smile at me the way you do
Girl to me you're a miracle
You're so much more than material

I don't mind if you have fun
Goin' out to get your make up done
I dont mind if I see you
Exploring different sides of you
I love you from the inside out
I love all the things that I don't know about
'Cause you're the realest woman I know
That's why i just can't let it go

I ain't worry about your clothes
Cause the clothes don't make the woman
I ain't worry about your hair
Cause the hair can't give me lovin'
Only you
I ain't trippin' on your shoes
'Cause they don't smile at me the way you do
Girl to me you're a miracle
You're so much more than material

I ain't worry about your clothes
Cause the clothes don't make the woman
I ain't worry about your hair
Cause the hair can't give me lovin'
Only you
I ain't trippin' on your shoes
'Cause they don't smile at me the way you do
Girl to me you're a miracle
You're so much more than material

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Roseaux

Roseaux

The meaning of the song

Biography

“A treat” or “a moment’s grace” for some, “a record that literally melts in your ears,” for others, people tried to convey in their own words the pleasure they experienced in 2013 listening to Roseaux’s first album. It was an atypical project, lovingly crafted by a little brotherhood of Parisian talent, its members as diverse as they are complimentary.

Because for Emile Omar a former Radio Nova music director, sound designer, record producer and champion of West Indian music on dance floors, Clément Petit, cellist and director, steering a path between improvised music (BZK, Double Celli) and song (Blick Bassy, Ben l’Oncle Soul, Nicolas Jules) and Alex Finkin musical director, as much at home with electronic music, soul, French chanson as with musical theatre (…) their differences are less important than what holds them together.

At the heart of their affinity there’s plenty of black American music, soul and jazz, of course, but also house and hip hop. Reaching out in the direction

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