Nina Hagen - Frequenzkontrolle

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"This announcement from the producers of this record contains
Important information for radio programme directors and is not for
Broadcast"

Sie befinden sich in der Zone des freien Willens!
This is the free will zone!

"Most people believe that the learning curve requires a great deal of intelligence. This is not so."

You believe that you live in the land of the free...
And the home of the brave!
Huh, you live in the most controlled society on the planet!
This is the ultimate tyranny against humanity!

You have been deprived of knowledge by frequency control!

Wenn ihr im Anbetracht der zehn Millionen Sonnen in unsere
Milchstraße meint
Dass unsere Erde der einzige Planet ist, der intelligentes Leben beherbergt
Dann bedürft ihr einer Vision

"Extra, Extra, Bild am Sonntag: Neues von der UFO Absturzstelle"

You have been controlled like sheep
By those who think they own you
You have been deprived of knowledge
By freakquency control!

You have been controlled like sheep
By those who think they own you
You have been deprived of knowledge
By freakquency control!

Glaubst du an physikalische Unsterblichkeit
Die Beschaffenheit von Wirklichkeit ist die Ewigkeit
Could you believe in physical immortality
Interdimensional love and truth and simplicity!

Die Regierenden liegen sich in der Wolle
Wir unterliegen ihrer Frequenzkontrolle
Wir glauben alle and das Märchen von der Frau Holle
Die Geheimnisträger freuen sich wie Bolle

Genmanipulanten die neuste Knolle
Alle sind brav wie Frau Holle
Wir unterliegen ihrer Frequenzkontrolle

Das UFO Phänomen von Darmstadt
Die Weltgemeinschaft spinnt
Jetzt kritisieren sie die Ufologen
Während kostbare Zeit verrinnt
Das Piktogramm von NASA
Ich habe es selbst gesehen
Wir brauchen ein neues Weltbild
Wie wollen das UFO Phänomen verstehen

"Guten Abend zu den Spätnachrichten, aus aktuellem Anlaß, schalten wir
Sofort um zu unserer Aussenkorrespondenten Anke Engelke an der UFO Absturzstelle, Anke!"

"Danke, ihre Füße hatten keine Zehen, eher Hand ähnlich, mit Häuten
Dazwischen. Die großen Köpfe, gehören offenbar daher, daß ihre Gehirne
Offenbar größer als die unserigen sind, ihre Arme sind lang, dünn und
Reichen bis zu den Knien."

"Wir sind euche alle Geschwister, lebendige und intelligente Wesen, so wie
Ihr. Meistens nehmen wir telepathischen Kontakt auf, wenn wir jedoch sprechen
Dann sehr schnell...."

Entferne die Frequenz der Levitation
Erkämpfe die Frequenz der Deformation
Vernichte die Frequenz der Kalkulation
Entdecke die Frequenz der Integration

You have been controlled like sheep
By those who think they own you
You have been deprived of knowledge
By freakquency control

We will have to sow what we reap
The fearless will be taken and fly
When on May Day the impact is deep
We will not die, we'll wave bye-bye

Don't leave a message after the beep
If you don't want them to clone you
Remove the Freakquency of the Freak
If you want us to take you home-sweet-home-sweet-home
Could you believe in physical immortality
Interdimensional love and truth and simplicity!

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Biography

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Catharina “Nina” Hagen was born March 11, 1955, in (communist) East Berlin. An opera prodigy by age 9, a pop star in East Germany by age 17, she emigrated to West Berlin by age 21. Rumors have it that she was kicked out for being too “punk rock”. The Urban myth is false, but the reality, in spirit? Close enough.

Nina Hagen has since become a household name in most of Europe, as a singer-songwriter-actress with a reputation ranging as wide as her 5-octave vocal prowess, from the “scandalously lunatic, unlistenable freak” to the “inspiring diva-divine goddess of music” (die-hard devotees choose a version of the latter “descriptive”, in various languages…).

By 1983, “the Mother of Punk” had Giorgio Moroder producing her fourth LP, Fearless, a fearlessly un-punk album, and too strange to dub as a purely pop/new-wave record. It yielded a Top 10 12” night club dance track in the U.S., Nina’s original “New York, New York”, opera chops intact.

Ten years earlier, Nina’s commercial career began with Automobil, with a big hit in East Germany (yes,in the formerly Soviet-controlled Eastern “GDR” Bloc of Germany), “Du hast den Farbfilm Vergessen”. Translation: “You Forgot the Colour Film”. This 1974 song wasn’t “punk”, but its lyrics? An ambiguously clear metaphor, a clever jab at the constraining drab “gray” of wall-bound East Germany. Luckily the Soviet authorities did not execute Nina nor Automobil’s musicians for such subversion. The music was and remains just too … musical. It even has a video, sort of…

“The Mother of Punk"? Nina’s prominence in the punk and new wave “scenes” of the late 1970s and early 1980s began in earnest with 1978’s “The Nina Hagen Band”.

Since then, Nina’s colorful, prolific career, including film and stage acting, on-camera political/religious zeal (particularly as a “Talk Show” personality), and sought-after “guest vocalist” (many, many songs by varied and numerous acts feature Nina’s vocals) has, in the U.S., been relegated to that of a 3-album cult artist, if measured by American label-support. Youtube, drenched with official and unofficial-Nina Hagen cornucopias, does her “influence” far more justice …

Albums available in the U.S. (as non-import, e.g. on iTunes and U.S. flavoured streaming sites) include her insane-alternative-WTF 1982 NunSexMonkRock (originally on CBS Records), her 2001 “comeback” album, Return of the Mother, and her Christian-blues-alterna-country-gospel-covers album, 2010’s Personal Jesus.

Nina’s repertoire of 15 studio albums includes her 1999 double album of Vedic chanting Om Namah Shivay, released for charity.

Generally, her “spiritual” nature is often conveyed in her music. Was “Personal Jesus” a “devotional” religious switch from Shiva, et al? Was she really abducted by benevolent extraterrestrial aliens? Is she a “prophet” or a “wack-job”? Is she a “real” nut-case, versus a phony-media-grabber, preaching didactic “conspiracy”-type theories and political views to fuel the P.R. of her “character”? Answer: probably not, given her intensely comical and serious persona is anti-establishment, and anti-record labels. Does that makes her a “true” artist?
She’s the mother of punk, so what the funk?.