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Ryan Wright - Take u back

 
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Cruel summer
When you're gone
Left nothing but the lights on
It's cool babe (cool babe, cool babe, cool babe)

Storm coming
I can't run
Gonna mess my face up for you babe (for you babe, for you babe, for you babe)

And we're driving in your car
Windows are down and we're messing around
But it's my heart
The one that you're taking and breaking in the dark

Oh, it doesn't work like that
Why'd you have to go and make it up like that
Oh no, now your girlfriend's mad
Never should've gone and played us both, oh yeah
Oh no, just painting my heart black
Gave it all away and now you want me back
Oh no, let go
You should know I'm never gonna take you back

(Who's gonna drive you home?)
You should know I'm never gonna take you back
('Cause I'm not the one)
I know she's driving in your car
The windows are down and you're on the highway
And you're ripping out my heart
Wish I could pull the emergency brake

Oh, it doesn't work like that
Why'd you have to be a fucking jerk like that
Oh no, now your girlfriend's mad
Never should've gone and played us both, oh yeah
Oh no, just painting my heart black
Gave it all away and now you want me back
Oh no, let go
You should know I'm never gonna take you back
You should know I'm never gonna take you back

(Who's gonna drive you home?)
('Cause I'm not the one)
(Thinking nothing's wrong)
(Who's gonna drive you home?)
('Cause I'm not the one)
(Thinking nothing's wrong)

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Ryan Wright

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Biography

Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”

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