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Ryan Wright - Quarter Life Crisis

 
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I’m finally old enough to drink
I’m finding out how much it bores me
And now i really get the creeps
When an older man adores me

Hallelujah lucky me
I can rent x-rated movies
Way too young to join the band
And way too old to be a groupie

I used to rage now i like peace and quiet
I must be having a quarter life crisis
Did i fuck up when i skipped on college
Oh god i’m having a quarter life crisis

I’m too sober to be this wasted
Over stimulated
Older girl next door god i hate it

I used to go to 4 am
Now the morning after hurts me
I used to smoke out all my friends
Now the smell makes me feel dirty

And now i gotta watch my temper
I don’t really wanna be this mean
I don’t wanna grow a conscience
I don’t wanna lose my self esteem
I don’t wanna pay my taxes
I’m livin on the edge of pushing thirty
And it kills me
My shrink put me on new antidepressants
She says i’m having a quarter life crisis
I’m starting to hate all my favorite vices
Oh god i’m having a quarter life crisis

I’m too sober to be this wasted
Over stimulated
Older girl next door god i hate it

I used to rage now i like peace and quiet
I must be having a quarter life crisis
Did i fuck up when i skipped on college
Oh god i’m having a quarter life crisis

I’m too sober to be this wasted
Over stimulated
Older girl next door god i hate it

God i hate it

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Biography

Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”

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