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The Notorious B.I.G. - Another Ruff One

 
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{Verse}
The microphone murderer, mass mayhem maker
B.I.G.'s on the mic, call the undertaker
Make an appointment, schedule a interview
Because you know what Big Man's about to do
50 Grand on the Technic at the right peak
Brothers wanna hear the words Big Man speak
The microphone, I'm rippin', the burner got the clip in
Slammin' MCs like Scottie Pippen
Sippin' on Old Gold, cold as the rhymes you stole
Puffin' on dime bags and I been told
My words are harder than a brick, Chinese arithmеtic
A thick stick and my dick
Makes me sick when you pick thе wick-wack rhyme, G
You get what you pumpin', a Tic-Tac times three
The B.I.G. moves swifter than a ninja
Even on stickups, I'm the Masked Avenger
Keep my eyes open and the case closed
No eyewitnesses, no names are exposed
Just the heavyset one with the big gun
And a sweet tongue shakin' down everyone
Loot like Michael Jackson, kicks like Bo Jackson
Bitches like Freddie Jackson, no need to ask in the crew
Ooh, no frontin', no fakin' moves
Fightin' or fuckin', resort to the stick and move
Smack the fool that disagree, recognize the pedigree
Rhyme is mine, 'cause I said it's me
Step to a big man grippin' the mic stand
Keep a bankroll and so do 50 Grand
And I give you my hand 'cause you deserve a pound
Tryin' to blow up the spot in my part of town
Raise because you get no praise
I treat you like a derelict with AIDS
Recognize, I don't fuck with the St. Ides
B.I.G. down with O.G.B
Old Gold Brothers for the others that missed me
The crew stay deep on Bedford and Quincy
Knives in the pocket for a quick hand to hand
You want it to be on, there's a TEC in the garbage can
I pull bitches like Kim Fields, Brooke Shields
Shelley Long, Connie Chung, I can go on and on
Word is bond, I'm a don
I split 'em and run up in 'em, I fuck 'em and then I duck 'em
I hit 'em in the shitter and forget her
And it gets better, B.I.G. are the letters
Niggas know the pedi'

{Outro}
That's the end
What you want me to do? Damn!

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The Notorious B.I.G.

The Notorious B.I.G.

The meaning of the song

"Another Ruff One" by The Notorious B.I.G. is a gritty and aggressive track that showcases Biggie's lyrical prowess and commanding presence on the mic. With sharp wordplay and clever rhymes, Biggie asserts his dominance in the rap game, delivering hard-hitting verses over a heavy beat. The song is filled with vivid imagery and boasts Biggie's trademark bravado, as he confidently navigates through the streets and asserts his authority as a top-tier emcee. With a no-nonsense attitude and unapologetic demeanor, Biggie proves why he is regarded as one of the greatest rappers of all time.

Biography

Considered by many to be one of the greatest rappers of all time, The Notorious B.I.G. was a major figure in both hardcore hip-hop and 90’s pop music until his murder in 1997 at age 24. He’s best known for his #1 hits “Hypnotize” and “Mo’ Money, Mo’ Problems,” his top 10 hits “One More Chance (Stay with Me Remix)” and “Big Poppa,” and his iconic early single “Juicy.”

In addition to his crossover hits, Biggie is known for innovative multi-syllabic lyricism and creative storytelling techniques, heard on critical favorites like “Warning,” “Suicidal Thoughts,” “Ten Crack Commandments,” “I Got A Story To Tell,” and “Gimme The Loot.”

As a teenager, Brooklyn native Christopher Wallace started rapping as Biggie Smalls, the name of a mobster character in the 1975 action comedy Let’s Do It Again. He recorded a demo with local Bed-Stuy DJ 50 Grand, which caught the attention of Mister Cee, who was well-known as Big Daddy Kane’s DJ. Cee introduced his demo to the industry, landing him a spot in The Source’s coveted “Unsigned Hype” column in the magazine’s March 1992 issue. Sean “Puffy” Combs, a successful A&R, also heard the demo and signed Big to Uptown Records.

Biggie’s first commercially released recording was an uncredited verse on Puffy’s remix of Jamaican dancehall star Super Cat’s 1992 track “Dolly My Baby.” He followed it up with appearances on tracks by Uptown artists like Heavy D & The Boyz and Mary J. Blige. His first solo single, 1993’s “Party & Bullshit,” appeared on Uptown’s soundtrack for the comedy Who’s The Man. The song was released under the name “Big”—a Los Angeles rapper named “Biggy Smallz” was already signed to MCA Records, preventing Biggie from using his original name.

In mid-1993, Puffy left Uptown and brought Biggie with him as a founding artist of his new label Bad Boy Records. He changed his official name to “The Notorious B.I.G.” as he began to prepare his debut album. His appearance on labelmate Craig Mack’s 1994 hit “Flavor In Ya Ear (Remix)” established him as one of hip-hop’s hottest rising stars. During this period, he married singer Faith Evans, another aspiring Bad Boy star. His 1994 debut single “Juicy” and album Ready To Die, released in the fall of 1994, received critical acclaim.

In early 1995, Biggie’s second Ready To Die single “Big Poppa” became a major success, garnering heavy rotation on MTV and hitting #9 on Billboard’s Hot 100. His next single, a remix of “One More Chance,” went to #2. The Source dubbed him “The King of New York.”

Over the next three years, Biggie played a central role in making Bad Boy Records a dominant force in hip-hop and R&B music, appearing on hits with Total, 112, Ma$e, The Lox, and Puff Daddy. Big also developed his own group of friends from his neighborhood, Junior M.A.F.I.A., who released two top 20 hits and a gold-selling album in 1995. The group spawned hitmaker Lil’ Kim.

In 1996, former friend and collaborator 2Pac released “Hit Em Up,” a scathing diss track about Biggie. ’Pac believed Big and Bad Boy were responsible for his 1994 robbery and shooting in NYC, a theory aided by Biggie’s suspiciously titled track “Who Shot Ya?” Big never explicitly responded, although many fans believe his late work is filled with subliminals about ’Pac, who was killed in September 1996. His murder remains unsolved.

Biggie spent most of 1996 recording his second album and recovering from a car accident that seriously injured his leg. Biggie filmed a video for the album’s first single, “Hypnotize,” in Los Angeles in February 1997. A month later, after attending a music industry party in L.A., Biggie was gunned down in a car with three longtime friends while stopped at a red light. He was rushed to Cedars-Sinai Hospital, where he was pronounced dead 30 minutes later. His murder remains unsolved.

A week after his death, “Hypnotize” became Biggie’s first #1 pop hit, and his double album Life After Death was released to widespread acclaim and platinum sales. The album’s second single, “Mo’ Money, Mo’ Problems” also went #1. In the year 2000, Life After Death was certified diamond by the R.I.A.A. for selling 10 million copies. The massive critical and commercial success of Life After Death solidified Biggie’s legacy as an icon.

Puff Daddy, who released his debut album No Way Out in the summer of 1997, hit #1 on the pop charts with his Biggie tribute “I’ll Be Missing You.” Bad Boy continued to have waves of success for over 20 years, during which time they released several posthumous Biggie albums, including 1999’s Born Again, 2005’s Duets: The Final Chapter, and 2017’s The King & I (with Faith Evans). In 2009, Fox released a biopic, Notorious, directed by George Tillerson, Jr, and produced by Puff Daddy and Big’s former managers.

Biggie has remained a fixture in pop culture and an influence on generations of rappers and songwriters.

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