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Charles Ives - Nov. 2, 1920

 
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"It strikes me that some men and women got tired of a big job;
But, over there our men did not quit
They fought and died that better things might be!
Perhaps some who stayed at home are beginning to forget and to quit
The pocketbook and certain little things talked loud and noble
And got in the way; too many readers go by the headlines
Party men will muddle up the facts
So a good many citizens voted as grandpa always did
Or thought a change for the sake of changе seemed natural enough
"It's raining, lets throw out thе weather man
Kick him out! Kick him out! Kick him out! Kick him out! Kick him!"
Prejudice and politics, and the stand-patters came in strong
And yelled, "Slide back! Now you're safe, that's the easy way!"
Then the timid smiled and looked relieved
"We've got enough to eat, to hell with ideals!"
All the old women, male and female, had thier day today
And the hog-heart came out of his hole
But he won't stay out long, God always drives him back!
Oh Captain, my Captain!
A heritage we've thrown away;
But we'll find it again, my Captain, Captain, oh my Captain!"

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Charles Ives

Charles Ives

The meaning of the song

"Nov. 2, 1920" by Charles Ives is a powerful and poignant reflection on the state of society and politics during the aftermath of World War I. The lyrics touch on themes of sacrifice, patriotism, complacency, and the struggle to maintain ideals in the face of prejudice and political manipulation. The song serves as a reminder of the importance of staying true to one's beliefs and values, even when faced with adversity and temptation. With its evocative imagery and heartfelt plea for integrity and resilience, "Nov. 2, 1920" is a stirring and thought-provoking piece of music that resonates with listeners today just as much as it did nearly a century ago.

Biography

Arguably the first modernist composer, Charles Ives (1874-1954) was a solitary figure who composed in obscurity for most of his life. The son of a U.S. Army bandleader, Ives enjoyed a wildly successful career as an insurance executive. In his spare time, he composed music in a wide variety of genres that combined popular song, church hymns, military marches, and European art music in ways that used tone clusters, polytonality, and other techniques decades before they were adopted by European composers.

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