The Game - G-Unit Offical Freestyle

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{Intro}
Once a motherfuckin' 'gain
Chuck Taylor is in the buildin'
By way of DJ Whoo Kid, bitch
Here come the pain

{Verse}
The peace treaty is over, niggas back to bangin'
It's time to bring hell to the city of angels
Nigga I'm a gangsta, chrome (?...) five with hollows, that'll spin you like the G-Unit chain, bitch
Who down there makin' that noise? the nigga that'a snatch yo ass out that Rolls Royce
I don't want your chain homie
I want respect and a rainbow print Louie strap to hold my tech
Niggas waitin' on me to die, don't hold your breath
I'm bringin' the throne to Compton if Hova jet
Niggas askin' "Why his life ain't over yet"
Cause the kid catch bullets like Nova (?...)
And walked out the hospital in a towel
Nigga them five shots couldn't drop but I ain't take 'em and smile
I'ma sign with G-Unit, they feelin' my style
The boy Banks is hard, Young Buck is wild
50 six times platinum, that nigga in the zone and we gon' be a dream team when Yayo get home
On that beef shit they said 50 was scared of Ja, two days later he on TV with Farrakhan
Nigga I'm a gangsta, I'm straight outta Compton in the hood with Jada drinkin' 40 ounces in Yonkers
And Harlem is like my second home
Parked on 115 in Lennox with Jim Jones
Homie I'm the biggest nigga in red since Suge
So when I touch down take me to the hood
I fuck with Crips but I'm on that Piru shit
If you don't know you better start fuckin' with Whoo Kid
Then I went and did the same thing on Clue? shit
The only missin' link to this G-Unit movement
Cut a check or suck a dick, bitch
And if you wasn't listenin' the first time (Here come the pain), G-Unit

{Outro}
Yea motherfuckers
It's your friendly gangbanger Check Taylor
And I don't give a fuck
I'm a motherfuckin' gangsta
You don't like it? suck my dick, or come see me
It's a cold place, that Compton
Yea
G-G-G-G
G-Unit!

Release Date: January 01, 2004

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The Game's G-Unit Official Freestyle is a powerful and aggressive track that showcases The Game's gangsta persona. The lyrics are filled with bold statements and boasts about his gang affiliation and reputation in the streets. He references his past struggles and brushes with death, as well as his loyalty to the G-Unit crew. The song is filled with gritty imagery of the streets and the rough realities of gang life, with The Game proudly proclaiming his status as a gangsta straight out of Compton. The intense energy of the track is matched by The Game's delivery and flow, making it a standout freestyle from the G-Unit camp.

Biography

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Jayceon Terrell Taylor, better known by his stage name The Game, entered the world on November 29, 1979, in Compton, California, where the challenges of life greeted him early. Born to parents entangled in the Crip gang culture, the rough streets of Santana Blocc were his unforgiving playground. Jayceon's early years were an intricate dance of survival amidst domestic turmoil, substance abuse, and the haunting echoes of gang rivalries that claimed the lives of kin.

As the new millennium dawned, at 21, Jayceon found himself enmeshed in the life he was born into, dealing drugs as a Cedar Block Pirus member. Fate struck cruelly on the quiet night of October 1, 2001. A ring at the door turned into an ambush, a struggle, a gun firing – him shot multiple times and on the brink of death, echoing the fates of those he knew. Clinging to life, he called for help and succumbed to darkness for three days.

Jayceon emerged from unconsciousness with a gaze set on a new horizon. Bound to a convalescing reverie, hip-hop music videos from BET became his solace, his teachers. Inspired by the likes of Shyne and fueled by the legendary beats of Ice Cube and Nas, he embarked on a creative pilgrimage. Adopting the moniker 'Game' from his grandmother, he channeled his life's turbulence into his rhymes while still navigating the perilous drug trade.

A chance encounter with J.T. The Bigga Figga at the West Coast Hip-Hop Summit in 2002 laid the foundation for his journey into music. Within five months, Game was transmuting his visceral experiences into his debut project 'Untold Story,' stirring the underground scene.

It was Game's raw narrative that caught the ear of Dr. Dre’s Aftermath Entertainment. Recounting his first impression, drenched in the residue of drug-making, Game found himself amidst hip-hop royalty. Dr. Dre saw potential beyond the grime – a deal was struck, and Game's fate was now intertwined with legends.

The release of The Documentary in 2005 was a revival of West Coast hip-hop, breathing new life into the scene. Yet, with acclaim, came a tumultuous spat with 50 Cent and G-Unit, a feud echoing the notorious East-West rivalries of the '90s. Game's reaction was not with bullets but with bars, unleashing '300 Bars And Runnin',' spearheading the G-Unot campaign – a lyrical onslaught that signified his personal victory in the vendetta against his former allies.

His split with Aftermath/Interscope and Dr. Dre led to a solitary and troubling period, one flirted with self-destruction. However, relying solely on his inner resolve, Game produced 'Doctor’s Advocate,' hitting the zenith of the charts and triumphing as his proudest work.

Brushes with the law and moments of isolation in jail only fueled his creative fire, leading to powerful pieces like "My Life." Further works, including The R.E.D. Album, Jesus Piece, and The Documentary 2/2.5, underscored his evolution as an artist and his role as a standard-bearer for the California sound.

Game’s discography, culminating with 'Born 2 Rap' on his 40th birthday, stands as a testament to his resilience and artistic integrity. An illustrious figure in hip-hop, Game remains an unwavering voice for the West, gripping the pen of his own narrative, in a city where stories like his are often left untold.