Ryan Wright - BLEED

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{Verse 1}
I'm quitting drinking until tomorrow
I'm giving back the pills that I borrowed
And Ryan says I don't drink enough water
But my boyfriend's back, so, I don't have to fucking bother

{Pre-Chorus}
And if he makes me misbehave
It's no one' business anyway

{Chorus}
Get me drunk, and send my condolences
I don't give a fuck, if they know what it means
You know I would bleed for you
You and me, and all of my deficits
Pull me in, and untie the tourniquet, please
You know I would bleed for you

{Verse 2}
I'm quitting thinking until next weekend
I'm going night swimming in the deep end
And Annie says that I've got problems
But my boyfriend's back, so, she don't have to fucking solve 'em

{Chorus}
Gеt me drunk, and send my condolencеs
I don't give a fuck, if you know what it means
You know I would bleed for you
You and me, and all of my deficits
Pull me in, and untie the tourniquet, please
You know I would bleed for you

{Pre-Chorus}
And if he makes me misbehave
It's no one' business anyway

{Chorus}
Get me drunk, and send my condolences
You can cut me up, if you know what it means
You know I would bleed for you
You and me, and all of my deficits
Pull me in, and untie the tourniquet, please
You know I would bleed for you

{Outro}
You know I would bleed
For you (Yeah, yeah, yeah)
For you (Yeah, yeah, yeah)
(Yeah, yeah, yeah)
You know I would bleed for you

Release Date: March 08, 2024

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Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”