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G Herbo - Get In Wit Me

 
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{Intro}
Uh, big Swerve
Swerve (Phew)
Big Swerve (Phew)
Big Swervin' (Uh)
Uh (Uh)

{Chorus}
I was bad as fuck in school, always in and out detention (For real)
I just spent a million plus and I ducked the feds' sentence (Okay)
Been gettin' money since sixteen, my first engine had a Hemi
Got your ho suckin' dick in traffic, all she had to do was get in with me

{Verse}
I'm rockin' Rick Owens, this ain't no Versace (Not at all)
Finessin' words, big Swerve, Liberace
Bad bitch, fifty of flow, eatin' hibachi (Yup)
I got a homie that snitched on me like Tekashi (Damn)
I done fucked the whole crew, all my bitches mad at me
Quit your job and be my boo, I'll pay your salary
Really up, yup
Give no fuck, nope
Spittin' crack, dope
Never goin' broke (Uh-uh)
Treat her like a ho
Fuck from the back and choke her (Big Swerve)
Ridin' the coupe like Batman, but I feel like Joker (Skrrt, skrrt)
Roll through 78th, saw my face 'cause I was always in the trenches (You know that)
Fuck some shoes, you buy a Glock 40 with a switch for twelve-fifty
Whenever I need ain't assistance, all I gotta do is call up sixty
2010, you want a body? All you gotta do is get in with me
2010, you want a body? All you gotta do is get in with me
Glocks and mags, this bitch a hottie, all you gotta do is get in with me (Uh)
Turnt up, yup (Yup)
Burnt as fuck, yup (Yup)
Half a milli' up (Yup)
Rolls truck, yup (Yup)
Businessman, yup (Yup)
Bossed up, yup (Yup)
Kickin' shit, yup (Yup)
World Cup, yup (Yup)

{Chorus}
I was bad as fuck in school, always in and out detention (Uh-huh)
I just spent a million plus and I ducked the feds' sentence (Phew)
Been gettin' money since sixteen, my first engine had a Hemi (Big Swerve)
Got your ho suckin' dick in traffic, all she had to do was get in with me

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G Herbo

G Herbo

The meaning of the song

Biography

Herbert Wright III, whose stage persona G Herbo resonates with the pulsating rhythm of Chicago's streets, maps the contours of an urban soundscape with stark narratives and gritty beats. Once christened Lil Herb, his early moniker echoed the youthful energy and restlessness of his Chiraq origins—a cityscape scarred by strife yet vibrant with the tenacity of its people.

G Herbo emerged from this maelstrom, a lyrical chronicler of tumultuous times, weaving tales of survival amidst the concrete tapestries of his home. His music is a raw testament to the trials encountered on the merciless streets of Chicago, often referred to as Chiraq by those who know its inner workings. His tracks don't just skim the surface but dive deep into the struggle, with each beat hewn from the very challenges he's faced.

His artistry pivots on the drill music genre, a relentless and powerful form of hip-hop that heralds from the South Side of Chicago. G Herbo's verses are more than music—they are urban psalms that command attention, resonating with an authenticity forged in the fires of personal experience.

Rising to public consciousness with a voice synonymous with the heartbeat of his city, G Herbo's transition from Lil Herb to his current emblem signifies a maturation not only in his career but also in his role as a street sage. Through the evolution of his name, from Lil Heroine to G Herbo, there's a palpable shift—a shedding of former skins to embrace an identity that's entirely his.

His stirring ensemble of hardcore drill songs does not shy away from reality but instead highlights a life laced with adversity, yet underscored by a relentless pursuit of betterment and hope. G Herbo stands as a figure of the hard-knocked yet indomitable spirit of Chicago, his voice a beacon for many navigating similar paths.

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