Ryan Wright - What's Not To Love

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{Verse}
I used to think obsession was love and...
I used to sleep with my makeup on and...
Nobody told me I was burning the candle
Nobody told me that something was wrong
Somebody told me that you had some problems
That got me thinking how bad this could be
You like to drink by yourself in the bathtub
Why don't you sink to the bottom with me?

{Chorus}
If you're breaking my heart
I want it to cut me
If we're doomed from the start
Then why won't you love me like a fool?
Like a bitch
Like someone that I'm gonna miss
If it fucks both of us up
What's not to love?

{Verse}
We could get out and drive out to the ocеan
Baby you can
{??} me down under the wavеs and...
Why would I ever want something that's healthy?
Who ever said that
{??}

{Chorus}
If you're breaking my heart
I want it to cut me
If we're doomed from the start
Then why won't you love me like a fool?
Like a bitch
Like someone that I'm gonna miss
If it fucks both of us up
What's not to love?

{Verse}
What's not to love when
{??}

{??}
So come on and love me till I drop dead

{Chorus}
If you're breaking my heart
I want it to cut me
If we're doomed from the start
Then why won't you love me like a fool?
Like a bitch
Like someone that I'm gonna miss
If it fucks both of us up
What's not to love?

{Outro}
If it fucks both of us up
What's not to-

Release Date: November 03, 2023

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Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”