Samuel Barber - III. Saint Ita's Vision

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I will take nothing from my Lord,” said she
“unless He gives me His Son from Heaven
In the form of a Baby that I may nurse Him”
So that Christ came down to her
In the form of a Baby and then she said:

“Infant Jesus, at my breast
Nothing in this world is true
Save, O tiny nursling, You
Infant Jesus at my breast
By my heart every night
You I nurse are not a churl
But were begot on Mary the Jewess
By Heaven’s light
Infant Jesus at my breast
What King is there but You who could
Give everlasting good?
Wherefore I give my food

Sing to Him, maidens, sing your best!
There is none that has such right
To your song as Heaven’s King
Who every night
Is Infant Jesus at my breast.”
At my breast

Release Date: January 01, 1953

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Samuel Barber

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Samuel Barber was born on March 9, 1910, in West Chester, Pennsylvania, into a family with a deep love and appreciation for music. His aunt Louise Homer was a renowned opera singer, and his mother was a pianist. This musical upbringing undoubtedly influenced Barber's own interest in music at a young age.

Barber showed great talent and promise as a musician from a young age, and he began studying piano and composition at the age of six. He later attended the Curtis Institute of Music in Philadelphia, where he studied composition with the legendary composer Rosario Scalero. Barber's early compositions showed a remarkable maturity and sophistication, earning him recognition and praise from a young age.

Throughout his career, Barber became known for his ability to write music that was both emotionally powerful and technically brilliant. His compositions for piano and voice were particularly well-regarded, showcasing his gift for melody and harmony. Barber's works were often characterized by their lyrical beauty and emotional depth, drawing inspiration from sources as diverse as literature, poetry, and personal experience.

Barber's career reached new heights in 1938 when he won the Pulitzer Prize for Music for his orchestral work "Overture to The School for Scandal." He would go on to win the Pulitzer Prize for Music again in 1963 for his Piano Concerto. In addition to these accolades, Barber's Adagio for Strings became one of his most famous and enduring works, beloved for its haunting beauty and emotional intensity.

One of Barber's most acclaimed works was his opera Vanessa, which premiered at the Metropolitan Opera in 1958 to critical acclaim. The opera was praised for its lush orchestration, lyrical melodies, and rich characterizations. Barber also wrote several concertos for piano and violin, as well as vocal works such as Knoxville: Summer of 1915, which showcased his skill at setting text to music.

Throughout his career, Barber received numerous awards and honors for his contributions to American music, solidifying his reputation as one of the country's most celebrated composers. He continued to compose and perform music until his death on January 23, 1981, leaving behind a rich and enduring legacy of music that continues to be performed and cherished by audiences around the world.