Sorry - Wolf

Copied!

{Verse 1: Louis O'Bryen, Asha Lorenz}
Go on take a bite
My hands are tied
Ah ooh
What a delight to spend this moon with you
And watch it scorn then fold in two
My fellow you
It's such a splendid sight to see (I'll see)
Your eye's beaming up (I'll see) with me
To god
Or to the moon
No, to the stars
Ah ooh
The silent moon, is all see-through
I only howl 'cause I'm with you

{Pre-Chorus: Asha Lorenz, Louis OBryen}
You're an eager fool to love this fox
These lonely wolves and poor devils
I don't sing for no one
Not even myself
These knots are tied with feeble hands
The slightest tug pulls them apart (Holy Hell, 'cause)
And you can play
Whatever part you like ('Cause I'm with you)

{Chorus: Asha Lorenz}
Then I'll play with you
'Cause I'm with you
My fellow you
'Cause I'm with you

{Bridge: Asha Lorenz}
I don't sing for no one
Not even my- even myself
Ah ooh
I don't sing for no one
Not even myself

We play around
In circles, in ripples
We play our games
Like idiots - so simple
So out of tune
I'd rather just be silent with you

{Outro: Asha Lorenz}
You
But I'm with you
My fellow you
But I'm with you
We're simple fools
Desperately hoping we'll find our (?...)

SoundCloud:

edit soundcloud

YouTube:

edit video

Comments: 0

More Sorry lyrics

Sorry

edit foto

The meaning of the song

edit description

Biography

edit bio

Sorry are a London band centered around Asha Lorenz and Louis O'Bryen, two childhood best friends. Along with Lincoln Barrett (drums) and Campbell Baum (bass), Sorry have been making a name for themselves on London’s underground circuit since 2015.

Although starting life with a conventional rock band set up, Sorry’s tastes are wide-ranging and reflect their age and omnivorous YouTube-era musical upbringing where rock, hip hop, noise, electronic soundscapes, grime and folk all sit side-by-side and without confusion. Accordingly, all these influences and more form the band’s unique nascent musical universe – a bold, ambitious and at times irreverent canvas onto which the symbiotic intensity of Lorenz’s and O'Bryen’s emotional and hyper-melodic songwriting is projected.