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Samuel Barber - Dover Beach

 
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The sea is calm to-night
The tide is full, the moon lies fair
Upon the straits; on the French coast, the light
Gleams and is gone; the cliffs of England stand
Glimmering and vast, out in the tranquil bay
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched sand
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling
At their return, up the high strand
Begin and cease, and then again begin
With tremulous cadence slow, and bring
The eternal note of sadness in

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery: we
Find also in the sound a thought
Hearing it by this distant northern sea

The sea of faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled
But now I only hear
Its melancholy, long, withdrawing roar
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams
So various, so beautiful, so new
Hath really neither joy, nor love, nor light
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight
Where ignorant armies clash by night

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Samuel Barber

Samuel Barber

The meaning of the song

Biography

Samuel Barber was born on March 9, 1910, in West Chester, Pennsylvania, into a family with a deep love and appreciation for music. His aunt Louise Homer was a renowned opera singer, and his mother was a pianist. This musical upbringing undoubtedly influenced Barber's own interest in music at a young age.

Barber showed great talent and promise as a musician from a young age, and he began studying piano and composition at the age of six. He later attended the Curtis Institute of Music in Philadelphia, where he studied composition with the legendary composer Rosario Scalero. Barber's early compositions showed a remarkable maturity and sophistication, earning him recognition and praise from a young age.

Throughout his career, Barber became known for his ability to write music that was both emotionally powerful and technically brilliant. His compositions for piano and voice were particularly well-regarded, showcasing his gift for melody and harmony. Barber's works were often characterized by their lyrical beauty and emotional depth, drawing inspiration from sources as diverse as literature, poetry, and personal experience.

Barber's career reached new heights in 1938 when he won the Pulitzer Prize for Music for his orchestral work "Overture to The School for Scandal." He would go on to win the Pulitzer Prize for Music again in 1963 for his Piano Concerto. In addition to these accolades, Barber's Adagio for Strings became one of his most famous and enduring works, beloved for its haunting beauty and emotional intensity.

One of Barber's most acclaimed works was his opera Vanessa, which premiered at the Metropolitan Opera in 1958 to critical acclaim. The opera was praised for its lush orchestration, lyrical melodies, and rich characterizations. Barber also wrote several concertos for piano and violin, as well as vocal works such as Knoxville: Summer of 1915, which showcased his skill at setting text to music.

Throughout his career, Barber received numerous awards and honors for his contributions to American music, solidifying his reputation as one of the country's most celebrated composers. He continued to compose and perform music until his death on January 23, 1981, leaving behind a rich and enduring legacy of music that continues to be performed and cherished by audiences around the world.

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