The Notorious B.I.G. - 3 B's

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{Intro: Buju Banton}
Gargamel, try to get!

{Chorus; Buju Banton}
While mans been pimping, I've been up
You got pills and stock keep lining up
No more freeloading, time is up
Catch a 3 dog plane, man don't stifle us
Give me 20s and .380s and fly enough, come on
I seen the cutie, does she wine enough?
Gyal a can't keep her eyes den off your stuff
Move girl, or you gon' touch the Midas Touch

{Verse 1: Notorious B.I.G.}
Venue after venue, I've been through
Coming to the telly, so I can bend you
Send you to the store, condoms and more
Jealous females, call you sluts and whores
Could it be my hardcore metaphor
Make sweat pour on the bedroom floor
Open up the Lex door, jump on in
I'm kind of tired, I'ma roll blunts while you spin
You got your license, right? Aight, no swerving
Hair blonde out, Madonna style like a virgin
Splurging, Dom P., Ro-se
Much foreplay, that's my forte
Niggas see the ring, baguettes to death
She looking for a man, honey he just left
Violate me, he get beat to death
Goodfellas squeeze every shell they got left

{Chorus; Buju Banton}
While mans been pimping, I've been up
You got pills and stock keep lining up
No more freeloading, time is up
Catch a 3 dog plane, man don't stifle us
Give me 20s and .380s and fly enough, come on
I seen the cutie, does she wine enough?
Gyal a can't keep her eyes den off your stuff
Move girl, or you gon' touch the Midas Touch

{Verse 2: Busta Rhymes}
Yes, indeed, it's the inspector, so respect-a
Way the pinky diamond is shining, tickle your retina
The mack, call me Max Julien of this shit
To be exact, I'm only macking Brand Nubian chicks
Got her own paper, shorty never blowing her own ki
I ain't tricking, baby, ain't no one fr-freeloading off me
See, the pimp shit be kinda killin' em softly
If you violate, the price for that could be kinda costly
Baby girl, now, even though you look finger-lickin'
Always remember, I'm careful with every chicken I'm pickin', listen
You see my shorty always stay on the grind
Bitches be jealous of my shorty and hating what's mine
'Cause Biggie told my shorty, "You chickens is way out of line"
She gettin' money, focus on me, and she pay no mind, tricker
You think I'm bugging? Tell me, how do you figure?
I got a shorty that ain't trying to take a thing from a nigga

{Chorus; Buju Banton}
While mans been pimping, I've been up
You got pills and stock keep lining up
No more freeloading, time is up
Catch a 3 dog plane, man don't stifle us
Give me 20s and .380s and fly enough, come on
I seen the cutie, does she wine enough?
Gyal a can't keep her eyes den off your stuff
Move girl, or you gon' touch the Midas Touch

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The Notorious B.I.G.

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Biography

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Considered by many to be one of the greatest rappers of all time, The Notorious B.I.G. was a major figure in both hardcore hip-hop and 90’s pop music until his murder in 1997 at age 24. He’s best known for his #1 hits “Hypnotize” and “Mo’ Money, Mo’ Problems,” his top 10 hits “One More Chance (Stay with Me Remix)” and “Big Poppa,” and his iconic early single “Juicy.”

In addition to his crossover hits, Biggie is known for innovative multi-syllabic lyricism and creative storytelling techniques, heard on critical favorites like “Warning,” “Suicidal Thoughts,” “Ten Crack Commandments,” “I Got A Story To Tell,” and “Gimme The Loot.”

As a teenager, Brooklyn native Christopher Wallace started rapping as Biggie Smalls, the name of a mobster character in the 1975 action comedy Let’s Do It Again. He recorded a demo with local Bed-Stuy DJ 50 Grand, which caught the attention of Mister Cee, who was well-known as Big Daddy Kane’s DJ. Cee introduced his demo to the industry, landing him a spot in The Source’s coveted “Unsigned Hype” column in the magazine’s March 1992 issue. Sean “Puffy” Combs, a successful A&R, also heard the demo and signed Big to Uptown Records.

Biggie’s first commercially released recording was an uncredited verse on Puffy’s remix of Jamaican dancehall star Super Cat’s 1992 track “Dolly My Baby.” He followed it up with appearances on tracks by Uptown artists like Heavy D & The Boyz and Mary J. Blige. His first solo single, 1993’s “Party & Bullshit,” appeared on Uptown’s soundtrack for the comedy Who’s The Man. The song was released under the name “Big”—a Los Angeles rapper named “Biggy Smallz” was already signed to MCA Records, preventing Biggie from using his original name.

In mid-1993, Puffy left Uptown and brought Biggie with him as a founding artist of his new label Bad Boy Records. He changed his official name to “The Notorious B.I.G.” as he began to prepare his debut album. His appearance on labelmate Craig Mack’s 1994 hit “Flavor In Ya Ear (Remix)” established him as one of hip-hop’s hottest rising stars. During this period, he married singer Faith Evans, another aspiring Bad Boy star. His 1994 debut single “Juicy” and album Ready To Die, released in the fall of 1994, received critical acclaim.

In early 1995, Biggie’s second Ready To Die single “Big Poppa” became a major success, garnering heavy rotation on MTV and hitting #9 on Billboard’s Hot 100. His next single, a remix of “One More Chance,” went to #2. The Source dubbed him “The King of New York.”

Over the next three years, Biggie played a central role in making Bad Boy Records a dominant force in hip-hop and R&B music, appearing on hits with Total, 112, Ma$e, The Lox, and Puff Daddy. Big also developed his own group of friends from his neighborhood, Junior M.A.F.I.A., who released two top 20 hits and a gold-selling album in 1995. The group spawned hitmaker Lil’ Kim.

In 1996, former friend and collaborator 2Pac released “Hit Em Up,” a scathing diss track about Biggie. ’Pac believed Big and Bad Boy were responsible for his 1994 robbery and shooting in NYC, a theory aided by Biggie’s suspiciously titled track “Who Shot Ya?” Big never explicitly responded, although many fans believe his late work is filled with subliminals about ’Pac, who was killed in September 1996. His murder remains unsolved.

Biggie spent most of 1996 recording his second album and recovering from a car accident that seriously injured his leg. Biggie filmed a video for the album’s first single, “Hypnotize,” in Los Angeles in February 1997. A month later, after attending a music industry party in L.A., Biggie was gunned down in a car with three longtime friends while stopped at a red light. He was rushed to Cedars-Sinai Hospital, where he was pronounced dead 30 minutes later. His murder remains unsolved.

A week after his death, “Hypnotize” became Biggie’s first #1 pop hit, and his double album Life After Death was released to widespread acclaim and platinum sales. The album’s second single, “Mo’ Money, Mo’ Problems” also went #1. In the year 2000, Life After Death was certified diamond by the R.I.A.A. for selling 10 million copies. The massive critical and commercial success of Life After Death solidified Biggie’s legacy as an icon.

Puff Daddy, who released his debut album No Way Out in the summer of 1997, hit #1 on the pop charts with his Biggie tribute “I’ll Be Missing You.” Bad Boy continued to have waves of success for over 20 years, during which time they released several posthumous Biggie albums, including 1999’s Born Again, 2005’s Duets: The Final Chapter, and 2017’s The King & I (with Faith Evans). In 2009, Fox released a biopic, Notorious, directed by George Tillerson, Jr, and produced by Puff Daddy and Big’s former managers.

Biggie has remained a fixture in pop culture and an influence on generations of rappers and songwriters.