Nina Hagen - Born in Xixax

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{Intro}
This is again radio Yerevan with our news (claps)
Oh, I'm sorry, got to turn on the machine
This is is radio Yerevan (laughs)
My name is Hans Ivanovich Hagen (laughs)
And this is the news (laughs)

{Verse 1}
I was born in XIXAX (oh la la la dee)
On my mama's farm
My father was a junkie
Und wir war'n sehr arm
My brother was a soldier (ooh)
By the war in Vietnam (shoot)
My uncle is a spy
In the Soviet Union

{Chorus}
He knows that Mr. Brezhnev is planning a reunion
He knows that Mr. Brezhnev is planning a reunion
He knows that Mr. Brezhnev is planning a reunion

{Verse 2}
Well it's a big big big big secret (aum, aum, aum)
No no nobody understands except you I hope (Berlin)
Und eines tages sind wir frei, einfach frei

One day we will be free, we will be free one day
One day we will be free, we will be free one day
One day we will be free, we-hee-hee we will be free

{Verse 3}
Well I believe in Jesus (ooh ooh ooh ooh)
I preach it loud and stark (oh)
Und Jackie, hallo (ooh ooh ooh ooh) (stupid Jacky)
Als er so bei mir lag (Jesus dwells)
Eto radio Yerevan, eto news (secret)
There's going to be a big disaster
(Nobody understands, you I hope)
Gonna be, world war number three
(Dennis, Tom)
Going to be a war or something, I know already
(Sigmund Freud, I confide)
I know it now already, I can feel it though already
Moscow's gonna become
(One day we will be free)
Washington's going to be number two
(We will be free one day)
Big big big big disaster's gonna come
(One day we will be free)
Come on, come on, come on dance to the end, let's do
Let's do, let's do 'er up, let's do her up
(one day we will be free)

{Chorus}
He knows that Mr Brezhnev is planning a reunion
(erump en nose)
He knows that Mr Brezhnev is planning a reunion
(who knows)
He knows that Mr Brezhnev is planning a reunion
(Berlin, Berlin)

{Outro}
Lie, ah, stop the news (nyet, nyet)
(I wonder if I can make soup out of this)
Nyet super, nyet, ochen' plokho, nyet, nyet, nyet
Worship loco

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Nina Hagen

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Biography

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Catharina “Nina” Hagen was born March 11, 1955, in (communist) East Berlin. An opera prodigy by age 9, a pop star in East Germany by age 17, she emigrated to West Berlin by age 21. Rumors have it that she was kicked out for being too “punk rock”. The Urban myth is false, but the reality, in spirit? Close enough.

Nina Hagen has since become a household name in most of Europe, as a singer-songwriter-actress with a reputation ranging as wide as her 5-octave vocal prowess, from the “scandalously lunatic, unlistenable freak” to the “inspiring diva-divine goddess of music” (die-hard devotees choose a version of the latter “descriptive”, in various languages…).

By 1983, “the Mother of Punk” had Giorgio Moroder producing her fourth LP, Fearless, a fearlessly un-punk album, and too strange to dub as a purely pop/new-wave record. It yielded a Top 10 12” night club dance track in the U.S., Nina’s original “New York, New York”, opera chops intact.

Ten years earlier, Nina’s commercial career began with Automobil, with a big hit in East Germany (yes,in the formerly Soviet-controlled Eastern “GDR” Bloc of Germany), “Du hast den Farbfilm Vergessen”. Translation: “You Forgot the Colour Film”. This 1974 song wasn’t “punk”, but its lyrics? An ambiguously clear metaphor, a clever jab at the constraining drab “gray” of wall-bound East Germany. Luckily the Soviet authorities did not execute Nina nor Automobil’s musicians for such subversion. The music was and remains just too … musical. It even has a video, sort of…

“The Mother of Punk"? Nina’s prominence in the punk and new wave “scenes” of the late 1970s and early 1980s began in earnest with 1978’s “The Nina Hagen Band”.

Since then, Nina’s colorful, prolific career, including film and stage acting, on-camera political/religious zeal (particularly as a “Talk Show” personality), and sought-after “guest vocalist” (many, many songs by varied and numerous acts feature Nina’s vocals) has, in the U.S., been relegated to that of a 3-album cult artist, if measured by American label-support. Youtube, drenched with official and unofficial-Nina Hagen cornucopias, does her “influence” far more justice …

Albums available in the U.S. (as non-import, e.g. on iTunes and U.S. flavoured streaming sites) include her insane-alternative-WTF 1982 NunSexMonkRock (originally on CBS Records), her 2001 “comeback” album, Return of the Mother, and her Christian-blues-alterna-country-gospel-covers album, 2010’s Personal Jesus.

Nina’s repertoire of 15 studio albums includes her 1999 double album of Vedic chanting Om Namah Shivay, released for charity.

Generally, her “spiritual” nature is often conveyed in her music. Was “Personal Jesus” a “devotional” religious switch from Shiva, et al? Was she really abducted by benevolent extraterrestrial aliens? Is she a “prophet” or a “wack-job”? Is she a “real” nut-case, versus a phony-media-grabber, preaching didactic “conspiracy”-type theories and political views to fuel the P.R. of her “character”? Answer: probably not, given her intensely comical and serious persona is anti-establishment, and anti-record labels. Does that makes her a “true” artist?
She’s the mother of punk, so what the funk?.