Roseaux - Walking on the moon

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Giant steps are what you take
Walking on the moon
I hope my legs don't break
Walking on the moon
We could walk forever
Walking on the moon
We could live together
Walking on, walking on the moon

Walking back from your house
Walking on the moon
Walking back from your house
Walking on the moon
Feet they hardly touch the ground
Walking on the moon
My feet don't hardly make no sound
Walking on, walking on the moon

Some may say
I'm wishing my days away
No way
And if it's the price I pay
You say
Tomorrow's another day
You stay
I may as well play

Giant steps are what you take
Walking on the moon
I hope my legs don't break
Walking on the moon
We could walk forever
Walking on the moon
We could be together
Walking on, walking on the moon

Some may say
I'm wishing my days away
No way
And if it's the price I pay
You say
Tomorrow's another day
You stay
I may as well play

Giant'steps
Giant'steps
Giant'steps

Walking on the moon
Walking on the moon

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Biography

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“A treat” or “a moment’s grace” for some, “a record that literally melts in your ears,” for others, people tried to convey in their own words the pleasure they experienced in 2013 listening to Roseaux’s first album. It was an atypical project, lovingly crafted by a little brotherhood of Parisian talent, its members as diverse as they are complimentary.

Because for Emile Omar a former Radio Nova music director, sound designer, record producer and champion of West Indian music on dance floors, Clément Petit, cellist and director, steering a path between improvised music (BZK, Double Celli) and song (Blick Bassy, Ben l’Oncle Soul, Nicolas Jules) and Alex Finkin musical director, as much at home with electronic music, soul, French chanson as with musical theatre (…) their differences are less important than what holds them together.

At the heart of their affinity there’s plenty of black American music, soul and jazz, of course, but also house and hip hop. Reaching out in the direction