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The Notorious B.I.G. - Diary Of A Madman

 
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{Intro:}
Oh yeah, don't forget my retainer
OK, I understand you guys are pleading insanity, claiming demonic spirits possessed you to do these hideous murders. Can you please explain to this court how these so-called spirits made you into these raving madmen?

{Verse 1: The Notorious B.I.G.}
Relax and take notes
While I take tokes of the marijuana smoke
Throw you in a choke; gun smoke, gun smoke
Biggie Smalls for mayor
The rap slayer, the hooker layer
Motherfucker, say your prayers!
"Hail Mary, full of grace," smack the bitch in the face
Take her Gucci bag and the North Face off her back
Jab her if she act, funny with the money
Oh, you got me mistaken, honey
I don't wanna rape ya, I just want the paper
The Visa, kapeesha? I'm out like The Vapors
Who's the one you call Mr. Macho?
The head honcho, swift fist, like Camacho
I got so much style I should be down with the Stylistics
"Make up to break up" Niggas need to wake up
Smell the Indonesia, beat you to a seizure
Then fuck your moms, hit the skins to amnesia
She don't remember shit, just the two hits
Her hittin' the floor and me hittin' the clit
Sucking on the tits, had the hooker beggin' for the dick
And your moms ain't ugly, love, my dick got rocked quick
I guess I was a combination
Of House of Pain and Bobby Brown
I was humpin' around and jumpin' around
Jacked her, then I asked her, "Who's the man?"
She said, "B-I-G," then I'd bust in her E-Y-E
(Yo big, you're dead wrong)

{Interlude:}
Can you please explain to this court when these problems first began?

{Verse 2: The Notorious B.I.G.}
When I get dusted, I like to spread the blood like mustard
Trust it, my hardcore rain leaves ya rusted
Move over Lucifer, I'm more ruthless, uh
Leave you toothless, you'll kibbitz, I'll flip it
Tears don't affect me, I hit 'em with the TEC, G
Disrespect me, my potency is deadly
I'm shootin' babies; no ifs, ands, or maybes
Hit Mommy in the tummy if the hooker plays a dummy
Slit the wrist of little sis, after she sucked the dick
I stabbed her brother with the ice pick
Because he wanted me to fuck him from the back
But Smalls don't get down like that
Got your father hidin' in a room, fucked him with a broom
Slit him down the back and threw salt in the wound
Who you think you're dealin' with?
Anybody step into my path is fuckin' feelin' it
Hardcore, I got it sucked like a pussy
Stab you 'til you're gushy, so please don't pushh me
I'm using rubbers so they won't trace the semen
The black demon, got the little hooker screamin'
Because you know I love it young, fresh and green
With no hair in between, know what I mean?

{Interlude:}
**gunshots**
Guilty! Next case

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The Notorious B.I.G.

The Notorious B.I.G.

The meaning of the song

Biography

Considered by many to be one of the greatest rappers of all time, The Notorious B.I.G. was a major figure in both hardcore hip-hop and 90’s pop music until his murder in 1997 at age 24. He’s best known for his #1 hits “Hypnotize” and “Mo’ Money, Mo’ Problems,” his top 10 hits “One More Chance (Stay with Me Remix)” and “Big Poppa,” and his iconic early single “Juicy.”

In addition to his crossover hits, Biggie is known for innovative multi-syllabic lyricism and creative storytelling techniques, heard on critical favorites like “Warning,” “Suicidal Thoughts,” “Ten Crack Commandments,” “I Got A Story To Tell,” and “Gimme The Loot.”

As a teenager, Brooklyn native Christopher Wallace started rapping as Biggie Smalls, the name of a mobster character in the 1975 action comedy Let’s Do It Again. He recorded a demo with local Bed-Stuy DJ 50 Grand, which caught the attention of Mister Cee, who was well-known as Big Daddy Kane’s DJ. Cee introduced his demo to the industry, landing him a spot in The Source’s coveted “Unsigned Hype” column in the magazine’s March 1992 issue. Sean “Puffy” Combs, a successful A&R, also heard the demo and signed Big to Uptown Records.

Biggie’s first commercially released recording was an uncredited verse on Puffy’s remix of Jamaican dancehall star Super Cat’s 1992 track “Dolly My Baby.” He followed it up with appearances on tracks by Uptown artists like Heavy D & The Boyz and Mary J. Blige. His first solo single, 1993’s “Party & Bullshit,” appeared on Uptown’s soundtrack for the comedy Who’s The Man. The song was released under the name “Big”—a Los Angeles rapper named “Biggy Smallz” was already signed to MCA Records, preventing Biggie from using his original name.

In mid-1993, Puffy left Uptown and brought Biggie with him as a founding artist of his new label Bad Boy Records. He changed his official name to “The Notorious B.I.G.” as he began to prepare his debut album. His appearance on labelmate Craig Mack’s 1994 hit “Flavor In Ya Ear (Remix)” established him as one of hip-hop’s hottest rising stars. During this period, he married singer Faith Evans, another aspiring Bad Boy star. His 1994 debut single “Juicy” and album Ready To Die, released in the fall of 1994, received critical acclaim.

In early 1995, Biggie’s second Ready To Die single “Big Poppa” became a major success, garnering heavy rotation on MTV and hitting #9 on Billboard’s Hot 100. His next single, a remix of “One More Chance,” went to #2. The Source dubbed him “The King of New York.”

Over the next three years, Biggie played a central role in making Bad Boy Records a dominant force in hip-hop and R&B music, appearing on hits with Total, 112, Ma$e, The Lox, and Puff Daddy. Big also developed his own group of friends from his neighborhood, Junior M.A.F.I.A., who released two top 20 hits and a gold-selling album in 1995. The group spawned hitmaker Lil’ Kim.

In 1996, former friend and collaborator 2Pac released “Hit Em Up,” a scathing diss track about Biggie. ’Pac believed Big and Bad Boy were responsible for his 1994 robbery and shooting in NYC, a theory aided by Biggie’s suspiciously titled track “Who Shot Ya?” Big never explicitly responded, although many fans believe his late work is filled with subliminals about ’Pac, who was killed in September 1996. His murder remains unsolved.

Biggie spent most of 1996 recording his second album and recovering from a car accident that seriously injured his leg. Biggie filmed a video for the album’s first single, “Hypnotize,” in Los Angeles in February 1997. A month later, after attending a music industry party in L.A., Biggie was gunned down in a car with three longtime friends while stopped at a red light. He was rushed to Cedars-Sinai Hospital, where he was pronounced dead 30 minutes later. His murder remains unsolved.

A week after his death, “Hypnotize” became Biggie’s first #1 pop hit, and his double album Life After Death was released to widespread acclaim and platinum sales. The album’s second single, “Mo’ Money, Mo’ Problems” also went #1. In the year 2000, Life After Death was certified diamond by the R.I.A.A. for selling 10 million copies. The massive critical and commercial success of Life After Death solidified Biggie’s legacy as an icon.

Puff Daddy, who released his debut album No Way Out in the summer of 1997, hit #1 on the pop charts with his Biggie tribute “I’ll Be Missing You.” Bad Boy continued to have waves of success for over 20 years, during which time they released several posthumous Biggie albums, including 1999’s Born Again, 2005’s Duets: The Final Chapter, and 2017’s The King & I (with Faith Evans). In 2009, Fox released a biopic, Notorious, directed by George Tillerson, Jr, and produced by Puff Daddy and Big’s former managers.

Biggie has remained a fixture in pop culture and an influence on generations of rappers and songwriters.

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