Death Grips - 80808

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{Verse 1}
Air raid, I slang the math raider nation, black cab
Psychic radio also known as
Only channel in our mobile lab
I got that priceless touch, won’t cost you a fucking thing
Biter appear instantly, got pigs to feed
You see my pimp, she’s pissed at me
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Acquire this link, it’s a ringer
Cop my steeze, make yours much fresher or whatever
Aye doe, aye doe, aye doe, aye doe, aye doe, bite that
Aye doe, aye doe, aye doe, aye doe, aye doe, bite that
Flock of pigeons come
I got crumbs, biters, bob, and slum

{Chorus}
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Feeds the gank move
Biters eat the gank move, fuck with me
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Feeds the gank move
Biters eat the gank move, fuck with me

{Verse 2}
Fuck with me
I keep my street the same
Pave these potholes see no rain
Lately I seen rain fall close range
Ain’t no thing too clean don’t bang, besides
Can’t trust a man with cream as white
As hundred clean cocaine
I’m custom like you like
Biters in my sights

{Pre-Chorus}
I got that priceless touch
I got that priceless touch
Aye doe, bite that, aye doe, aye doe, aye doe
Aye doe, bite that, aye doe, aye doe, aye doe
I got that priceless touch

{Chorus}
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Feeds the gank move
Biters eat the gank move, fuck with me
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Feeds the gank move
Biters eat the gank move, fuck with me

{Verse 3}
I hardly notice them
I toss all bums generous portion of my goat
But I keep the bones
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Mastered by me magnified
My laughter fed back through your swine
Your forehead tat my hazmat tag
Serpent coil egg and flag
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Twins sat rows all identical
Not seen as a threat or so we’ve been told
I hold the key, I blame the key
Made me defame the mold

{Pre-Chorus}
Aye doe, bite that, aye doe, aye doe, aye doe
I got that priceless touch
Aye doe, bite that, aye doe, aye doe, aye doe
I got that priceless touch

{Chorus}
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Feeds the gank move
Biters eat the gank move, fuck with me
Aye doe, bite that
Aye doe, aye doe, aye doe, bite that
Feeds the gank move
Biters eat the gank move, fuck with me

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Death Grips is an experimental multi-genre group hailing from Sacramento, CA, formed in 2010. The band consists of vocalist Stefan “MC Ride” Burnett and producers Zach Hill and Andy Morin. Their unique sound blends elements of punk rock, hip-hop, noise, industrial, and electronic music.

The group burst onto the scene with the release of their first mixtape, Exmilitary, on April 25, 2011, featuring their popular song “Guillotine.” Soon after, they signed with Epic Records and released their debut studio album, The Money Store. However, tensions with the label arose when Death Grips teased their second album through an alternate reality game (ARG) and subsequently leaked it themselves as No Love Deep Web. This move led to their departure from Epic Records.

In 2013, Death Grips founded their own label, Third Worlds, and surprise-released Government Plates. The band continued to push boundaries with the release of the first half of The Powers That B in 2014, followed by Jenny Death later that year. Despite announcing their disbandment in 2014, Death Grips returned in 2015 and released Bottomless Pit in 2016.

Known for their intense live performances and provocative lyrics, frontman Stefan Burnett brings a raw and visceral energy to the group. His violent and confrontational lyrics touch on themes of individualism, paranoia, mental illness, drug use, occultism, and societal decay.

With a discography that includes both vocal and instrumental albums, Death Grips has solidified their reputation as one of the most boundary-pushing and genre-defying acts in contemporary music. Their latest album, Year of the Snitch, released in 2018, further cements their status as pioneers in the experimental music scene.