Franz Schubert - Der Rattenfänger

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Ich bin der wohlbekannte Sänger
Der vielgereiste Rattenfänger
Den diese altberühmte Stadt
Gewiß besonders nötig hat
Und wären´s Ratten noch so viele
Und wären Wiesel mit im Spiele:
Von allen säubr´ ich diesen Ort
Sie müssen miteinander fort

Dann ist der gutgelaunte Sänger
Mitunter auch ein Kinderfänger
Der selbst die wildesten bezwingt
Wenn er die goldnen Märchen singt
Und wären Knaben noch so trutzig
Und wären Mädchen noch so stutzig
In meine Saiten greif' ich ein
Sie müssen alle hinterdrein

Dann ist der vielgewandte Sänger
Gelegentlich ein Mädchenfänger;
In keinem Städtchen langt er an
Wo er's nicht mancher angetan
Und wären Mädchen noch so blöde
Und wären Weiber noch so spröde
Doch allen wird so liebebang
Bei Zaubersaiten und Gesang

Release Date: July 11, 2024

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Franz Schubert

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Biography

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Franz Peter Schubert (31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. His major works include the Piano Quintet in A major, D. 667 (Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the ”Great” Symphony No. 9 in C major, D. 944, the String Quintet (D. 956), the three last piano sonatas (D. 958–960), the opera Fierrabras (D. 796), the incidental music to the play Rosamunde (D. 797), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Born in the Himmelpfortgrund suburb of Vienna, Schubert’s uncommon gifts for music were evident from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Haydn, Mozart, and Beethoven. He left the Stadtkonvikt at the end of 1813, and returned home to live with his father, where he began studying to become a schoolteacher; despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his own works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever but believed by some historians to be syphilis.

Appreciation of Schubert’s music, while he was alive, was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of Western classical music and his music continues to be popular.