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Gil Scott-Heron - "B" Movie

 
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Well, the first thing I want to say is..."Mandate My Ass!"
Because it seems as though we've been convinced
That 26% of the registered voters
Not even 26% of the American people
But 26% of the registered voters form a mandate ...
Or a landslide ...

21% voted for Skippy
And 3, 4% voted for somebody else
Who might have been running

But, oh yeah, I remember
In this year that we have now declared
The year from Shogun to Reagan
I remember what I said about Reagan...meant it
Acted like an actor... Hollyweird
Acted like a liberal
Acted like General Franco when he acted like Governor of California
Then he acted like a Republican
Then he acted like somebody was going to vote for him for President
And now we act like 26% of the registered voters is actually a mandate
We're all actors in this I suppose

What has happened is that in the last 20 years
America has changed from a producer to a consumer
And all consumers know that when the producer names the tune...
The consumer has got to dance
That's the way it is. We used to be a producer – very inflexible at that
And now we are consumers and, finding it difficult to understand

Natural resources and minerals will change your world
The Arabs used to be in the 3rd World
They have bought the 2nd World and put a firm down payment on the 1st one
Controlling your resources will control your world

This country has been surprised by the way the world looks now
They don't know if they want to be Matt Dillon or Bob Dylan
They don't know if they want to be diplomats ...
Or continue the same policy of nuclear nightmare diplomacy
John Foster Dulles ain't nothing but the name of an airport now

The idea concerns the fact that this country wants nostalgia
They want to go back as far as they can ...
Even if it's only as far as last week
Not to face now or tomorrow, but to face backwards

And yesterday was the day of our cinema heroes
Riding to the rescue at the last possible moment
The day of the man in the white hat or the man on the white horse ...
Or, the man who always came to save America at the last moment
Someone always came to save America at the last moment
Especially in "B" movies

And when America found itself having a hard time ...
Facing the future, they looked for people like John Wayne
But since John Wayne was no longer available, they settled for Ronald Reagan
And it has placed us in a situation that we can only look at ...
Like a "B" movie

Come with us back to those inglorious days when heroes weren't zeros
Before fair was square
When the cavalry came straight away and all-American men were like Hemingway ...
To the days of the wondrous "B" movie

The producer underwritten by all the millionaires necessary
Will be Casper "The Defensive" Weinberger;
No more animated choice is available
The director will be Attila the Haig, ...
Running around frantically declaring himself in control and in charge
The ultimate realization of the inmates taking over at the asylum
The screenplay will be adapted from the book called "Voodoo Economics"
By George "Polka dot" Bush
Music by the "Village People" the very military "Macho Man."

"Company!!!"
"Macho, macho man!"
"Two-three-four."
"He likes to be . . . Well, you get the point."
"Huuut! Your left! Your left! Your left...right
Left, right, left, right...!"

A theme song for saber-rallying and selling wars door-to-door
Remember, we're looking for the closest thing we can find to John Wayne
Cliches abound like kangaroos ...
Courtesy of some spaced out Marlin Perkins, a Reagan contemporary
Cliches like, "itchy trigger finger" and "tall in the saddle"
And "riding off or on into the sunset."
Cliches like, "Get off of my planet by sundown!"
More so than cliches like, "he died with his boots on."

Marine tough the man is
Bogart tough the man is
Cagney tough the man is
Hollywood tough the man is
Cheap steak tough
And Bonzo's substantial

The ultimate in synthetic selling:
A Madison Avenue masterpiece ...
A miracle ...
A cotton-candy politician...
Presto! Macho!

"Macho, macho man!"

Put your orders in, America
And quick as Kodak your leaders duplicate with the accent being on the dupe
Cause all of a sudden we have fallen prey to selective amnesia ...
Remembering what we want to remember and
Forgetting what we choose to forget
All of a sudden, the man who called
For a blood bath on our college campuses
Is supposed to be Dudley "God-damn" Do-Right?

"You go give them Liberals Hell Ronnie."

That was the mandate
To the new "Captain Bly" on the new ship of fools
It was doubtlessly based on his chameleon performance of the past ...
As a liberal democrat – as the head of the Studio Actor's Guild
When other celluloid saviors were cringing in terror from McCarthy
Ron stood tall

It goes all the way back from Hollywood to hillbilly
From liberal to libelous, from "Bonzo" to Birch idol...born again
Civil rights, women's rights, gay rights...it's all wrong
Call in the cavalry to disrupt this perception of freedom gone wild
God damn it...first one wants freedom
Then the whole damn world wants freedom

Nostalgia, that's what we want...the good ol' days...
When we gave'em Hell
When the buck stopped somewhere and you could still buy something with it
To a time when movies were in black and white ...
And so was everything else

Even if we go back to the campaign trail
Before six-gun Ron shot off his face and developed hoof-in-mouth
Before the free press went down before full-court press
And were reluctant to review the menu
Because they knew the only thing available was ... Crow

Lon Chaney, our Man of a Thousand Faces ...
No match for Ron
Doug Henning does the make-up ...
Special effects from Grecian Formula-16 and Crazy Glue
Transportation furnished by the David Rockefeller
Of Remote Control Company
Their slogan is, "Why wait for 1984? You can panic now...and avoid the rush."

So much for the good news...

As Wall Street goes, so goes the Nation
And here's a look at the closing numbers ...
Racism's up, Human Rights are down
Peace is shaky, War items are hot
The House claims all ties

Jobs are down, money is scarce
And common sense is at an all-time low with heavy trading
Movies were looking better than ever
And now no one is looking because
We're starring in a "B" movie

And we would rather have John Wayne...
We would rather have John Wayne

You don't need to be in no hurry
You ain't never really got to worry
And you don't need to check on how you feel
Just keep repeating that none of this is real
And if you're sensing, that something's wrong
Well just remember, that it won't be too long
Before the director cuts the scene... Yea

This ain't really your life
Ain't really your life
Ain't really ain't nothing but a movie

{Refrain repeated about 25 times or more in an apocalyptic crescendo with a military cadence.}

This ain't really your life
Ain't really your life
Ain't really ain't nothing but a movie

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Dah, dah, dah, dah Dah, dah, dah, dah, dah, dah, dah Dah, dah, dah, dah Dah, dah, dah, dah, dah, dah, dah Dah, dah, dah Rockets, moon shots Spend it on the have nots

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Gil Scott-Heron

Gil Scott-Heron

Song Description

Biography

The American jazz poet and soul musician, Gil Scott-Heron, was notable for his work as a spoken word performer during the 1970s and 1980s.

Gil Scott-Heron is often referred to as “the Godfather of rap” and is acclaimed as one of the genre’s founders. Due to the political consciousness at the root of his work, he is also viewed as being instrumental to the establishment of political rap – “Message to the Messengers” called upon future generations of rap artists and urban poets to speak for change rather than perpetuate current social situations.

Scott-Heron’s lyricism often referenced social and political issues of the time. Themes included the superficiality of mass consumerism, white America’s ignorance of deteriorating living conditions for inner-city residents, and the hypocrisy of black revolutionaries. His critically acclaimed composition, “The Revolution Will Not Be Televised”, takes its title from a popular slogan among the 1960s Black Power movement and alludes to public figures, news coverage, television, and advertising.

Following Scott-Heron’s death in 2011, journalist Greg Kot commented on his style and technique:

Scott-Heron took the news of the day and transformed it into social commentary, wicked satire, and proto-rap anthems. He updated his dispatches from the front lines of the inner city on tour, improvising lyrics with an improvisational daring that matched the jazz-soul swirl of the music. Though celebrated for his political broadsides, Scott-Heron was a master of many styles. He could be playful and mischievous, and he found joy in the power of words and their ability to transform the tragic and tawdry into the comical and uplifting.

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